Anguezomo Mba Bikoro’s visual and text work analyses processes of power and science fictions in historical archives that critically engage in migrational struggles and colonial memory, focusing on queer indigenous and Black feminist biopolitics central to the practice of ancestral healing. Their work complicates linear readings and representations of histories pursuing parafiction as a radical black feminist strategy to disrupt the notion of a single authorial voice. Sedimented in narratives are testimonies of sonic nature archives, queering ecologies and postcolonial black radical feminist experiences towards new monuments, reacting to the different tones of societies shared between delusions & ritual. They bring new investigations about the architectures of racisms in cities, the archeologies of urban spaces & economies of tradition systems by exposing the limitations of technologies as functional memory records. Anguezomo has developed frameworks of rituals and healing in performance work that often reveal the entangled colonial histories of migration at site-specific spaces to dismantle prejudices and build independent emancipatory tools for liberation, education & repair. Anguezomo is artistic director of Squat Museum in Gabon (2008), a mobile museum and performing archive, and Nyabinghi_Lab Collective (2020; non-profit) and of “When The Jackal Leaves The Sun: Decentering Restitution|Pedagogies of Repossession”. Their work has been shown in numerous international exhibitions and Biennales including the Dak’art Biennale (2012, 2018), Venice Biennale (2016), La Otra Bienal, Bogota (2013), and RAVY Biennale, Yaoundé (2018).