Virginnia Ogechi Krämer (they/them) is a performer, writer, facilitator, and parent. Their interests range from embodied social justice to afrofuturism to cultural identity-focused artistic research and ritual. 2022 they were seen in their first solo „auf den weg zu mir/auf den weg zu dir“ at Sophiensaele, an installative performance about afrogerman poet May Ayim's poem sein oder nicht sein. In spring 2023 Virginnia was artist in residence at Emerging Change/Tanzfabrik Berlin where they presented their solo “hair pulling” (WT). Together with femBlack Performance Collective they premiered with their first production “another space/memory” at Berliner Ringtheater in Fall 2023. Their work currently emerges into new unknowns with a profound urge to integrate loss, genocide and (be)coming together. @dreamingginni

Isabel Kwarteng-Acheampong (she/her, they/them) is a Black queer performer and director with a focus on intersectionality and somatic trauma healing. They are dedicated to the decolonization of bodies and work as a diversity consultant at different institutions such as HAU theatre. Aside from that they facilitate artistic projects in Ghana, Togo, and Germany to empower queer BIPoC communities and promote white allyship.

@ __.who.dat.__

Luana Naquin (she/her) is a multidisciplinary dancer with a focus on modern, urban African, and traditional Afro-Caribbean dances. She is currently researching the African heritage of Afro-Caribbean communities, delving into concepts such as resilience, Black identity, resistance, intergenerational trauma, and decolonization.

Jasmin Eding (she/her) has been actively involved in the Black movement for over 30 years and is a co-founder of ADEFRA e.V. She identifies herself as an anti-racist, feminist, lesbian grassroots activist. As a co-author of the book "Kinder der Befreiung," she writes about transatlantic experiences and perspectives of Black Germans from the post-war generation.