12 / The Instrument – Composition and Choreography
In the frame of Winter Tanz 2014/15
We will focus on handling composition in a present moment by balancing between our physical vocabulary and our listening to dynamics and activity around us. Improvising with form, rhythm, touch and resonance; we will tune the body through our physiology, imagination and ability to enjoy the making of dance. Our movement will be looked at through the eye of 'dance-writing' and choreography, inviting performative states as we work with directions and tasks independently and at a high level.
Maya Matilda Carroll is a choreographer, dancer, mentor and teacher, based in Berlin since 2004. In the past thirteen years Maya has created over 30 works from solo to extended group pieces. She has collaborated with dancers, visual artists, poets, musicians, actors, opera singers and amateurs, in Europe and worldwide. Maya has been making dance independently as well as being commissioned to create pieces for state theaters, independent companies and dance academies. She leads classes and workshops in Europe and abroad, extensively developing her teaching methods alongside her artistic work. In 2011 Maya formed The Instrument with her partner, composer / musician Roy Carroll. Her work is anchored in the meeting point between the palpable and imagined; drawn from and towards the body's memory, social roots and myth, pluralities and singularities in humans and environment. Dance background: between 1997-2000 Maya danced in Muza dance company, Tel-Aviv, Israel. She collaborated with choreographer Lara Barsacq over five years (Tel-Aviv - Paris). Between 2000-2003 Maya danced in Batsheva Ensemble company, directed by Ohad Naharin. She also danced works choreographed by Anat Danieli, Sharon Eyal and Arkadi Zaides to name a few. In 2005 Maya joined Research Project with Sasha Waltz & Guests in Berlin. Since 2013 she collaborates with choreographer and director Julyen Hamilton. She joined his company Allen`s Line in their last two pieces Goat Ocean and Mud Like Gold. theinstrument.org