Manja Chmièl (1922–2006) was far ahead of her time. As Mary Wigman's assistant, she turned her back on expressive dance in 1962 to position herself on an equal footing with new music, literature and abstract arts. She founded her group Neuer Tanz Berlin, Germany's first independent dance company. Why has this innovator of contemporary dance been overlooked until now?
Contemporary witness Irene Sieben puts her once most important teacher in the spotlight with her recently published book “Manja Chmièl – Rebellin des Neuen Tanzes”, placing her alongside Dore Hoyer as a significant inventor of a specific dance language. The author reading will be accompanied by Anna Till. The Dresden-based dancer and choreographer has reconstructed three solos by Manja Chmièl. One was put down on paper in Labanotation by kinetographer Thomas Schallmann together with Manja Chmièl.
During the screening of historical film material, the audience can experience the forgotten dance pioneer in an interview with Walter Höllerer, avant-garde figure in the literary world since the 1960s and founder of the magazine ‘Akzente’.