Tanzfabrik
Berlin
Stage
Stage
Stage
Stage
Uferstudios 11
Badstr. 41A, Uferstr. 23
13357 Berlin
Stage
Stage
Photo: Omi Toshihiro

Remembering the Future of Diversity in Dance

Open Studio by Adam Benjamin, Jess Curtis, Jo Parkes, Michael Turinsky
In the frame of Open Spaces/Sommer Tanz 2018

A one-day lab invites dancers, choreographers, workshop participants, teachers, producers and curators to think about the future of physical diversity in dance in Berlin. Four dance practitioners and experts facilitate conversations and practice-oriented exchange formats that dream up a not too distant future in dance education, training, choreographic practice and curating, and look for ways to work back to today. Some of the outcomes will be shared with the public in an Open Studio at the end of the day.

Dreaming up a future.

Mi 18.7. 10:00 - 18:00 Lab
The Lab is open for all and free of charge. Letter of application needed, see workshops on this website. Wheelchair accessible.

Lead: Adam Benjamin, Michael Turinsky, Jo Parkes and Jess Curtis | In cooperation with the Initiative tanzfähig and the Hochschulübergreifendes Zentrum Tanz Berlin (HZT).

Adam Benjamin

Adam Benjamin (UK) is a choreographer, author and one of the pioneers of integrated dance. His book Making an Entrance. Theory and practice for disabled and non-disabled dancers (Routledge 2002) is considered a seminal text. He has received numerous awards including a London TimeOut performance award, the Sainsbury’s award for education, a National Teaching Fellowship. He has been an Associate Artist at The Place, a Wingate Scholar, a Rayne Choreographic Fellow, recipient of an Arts Council International Artist Fellowship and was named a Change Maker by the South Bank Centre in 2015. He was joint founder of CandoCo Dance Company and a founding member of 5 Men Dancing. His most recent choreographic work is Marked for Exim Dance Company. He has taught and performed with a.o. Russell Maliphant, Kirstie Simson, Jordi Cortés and Gabriele Reuter. www.adambenjamin.co.uk

 

Jess Curtis

Jess Curtis is an award-winning choreographer, performer and scholar committed to an art-making practice informed by experimentation, innovation, critical discourse and social relevance at the intersections of fine art and popular culture. Curtis has created and performed multidisciplinary dance performance throughout the U.S., Europe with seminal group Contraband, the radical performance collective CORE and the experimental French Circus company Cahin-Caha, Cirque Batard. From 1991 to 1998 he co-directed the ground-breaking San Francisco performance venue 848 Community Space with Keith Hennessy and Michael Whitson. In 2000, Curtis founded his own trans-continental performance company, Jess Curtis/Gravity, based in Berlin and San Francisco. In 2011 he was presented the prestigious Alpert Award in the Arts for choreography and the Homer Avila Award for innovation in physically diverse performance. Curtis is active as a writer, advocate and community organizer in the fields of contemporary dance and performance and teaches Dance, Contact Improvisation and Interdisciplinary Performance for individuals of all abilities throughout the US and Europe. He has been a visiting professor at the University of California at Berkeley and the University of the Arts in Berlin. He holds an MFA in Choreography and a Ph.D. in Performance Studies from the University of California at Davis. www.jesscurtisgravity.org
 

Jo Parkes

Jo Parkes is a freelance dance artist / director (D / UK). She creates participatory pieces: installations, performance for public spaces and for video. Jo is the founder and artistic director of Mobile Dance e.V. Mobile Dance works socially engaged with co-creative processes, often with people with difficult access to participatory artistic work, among others in the international video series "Postcards from ..." (2009 - 2017) and since 2014 JUNCTION, a program of dance and video workshops in five accommodations for refugees in Berlin. Jo is internationally invited as a guest lecturer in Community Dance, i.e. DOCH, University of Bern, UdK, HZT. In 1995 Jo received a Fulbright scholarship to study. She graduated in choreography at the University of California (UCLA), earned a First Class degree in English Literature and English at the University of Oxford, and won the Bonnie Bird Award New Choreography in 2002. In 2009, she received the project " Postcards from Berlin" the children for the Olympic Award. In 2016, she received a scholarship from the Berlin Senate. The piece "On Tradition: the young generation" would be invited to dance meetings of the Youth. www.mobile-dance.com www.joparkes.com

Michael Turinsky

Michael Turinsky lives and works as a choreographer, performer and theorist in Vienna. He is interested, on the one hand, in an in-depth discussion of the specific phenomenology of the body marked as "handicapped", and on the other in the rigorous examination of discourses around the productive tension between politics and aesthetics. Between 1998 and 2005 he studied philosophy at the University of Vienna. As a performer, he collaborated among others with Bert Gstettner, Barbara Kraus, Legitimate Bodies / Robin Dingemans / Mick Bryson and Doris Uhlich ("Ravemachine"). His most important choreographic work "heteronomous male" (2012), "my body, your pleasure" (2014), as well as his recent works "Second Skin - turn the beat around" and "Second Skin - Master of Ceremony" (both 2016) , His collaboration with Doris Uhlich "Ravemachine" received the 2017 Nestroy Special Prize. Michael Turinsky gave lectures and workshops, among others at the Universities of Linz and Salzburg, at the College Art Association in New York, at the Tanzquartier Wien as well as at Impulstanz-Festival. He published in various journals and journals. www.michaelturinsky.org

Free Admission