Tanzfabrik
Berlin
Stage
Stage
Stage
Stage
Uferstudios 5
Badstr. 41A, Uferstr. 23
13357 Berlin
Stage
Stage

walk+talk berlin

Solo-Arbeiten / Premiere by Sydney Leoni, Kat Valastur, Maria F. Scaroni, Sebastian Matthias
In the frame of 9. Tanznacht Berlin 2016

“walk+talk” is a lecture performance format in which choreographers use movement and words to present their personal movement language and the diverse sources from which it derives. The words, however, are not meant to explain, nor is the movement meant to illustrate the words. Instead, movement and language are treated as equally important forms of artistic expression that strengthen one another. As these forms converge with their subject, they strive for synergy, intertwine, and, as a result, produce a choreographic tension. “walk+talk” was initiated by Philipp Gehmacher in 2008. The Berlin edition is produced by Tanznacht Berlin in co-operation with Tanz im August.

Further performances in the frame of Tanz im August: 26.08. 20.15, HAU Hebbel am Ufer

By and with: Sidney Leoni, Sebastian Matthias, Maria F. Scaroni, Kat Válastur | Coaching: Philipp Gehmacher | Produced by Tanznacht Berlin in co-operation with Tanz im August. The format walk+talk was initiated in 2008 by Philipp Gehmacher and has been realized thus far by more than 20 artists in Wien, Brüssel, Stockholm and Reykjavík.

Sydney Leoni

coming soon

Kat Valastur

Kat Válastur, is a Berlin-based choreographer and performer. Fragmentation, time lapse, entropy and virtuality are some of the notions that emerge from her dance works, through the creation of a specific fictional force field in which the bodies of the performers are exposed to. As part of her creative process she utilizes personal diagrams, scores drawings and texts that she creates for each work. In 2013-2014, she was an invited artist (grantee) at the Institut für Raumexperimente, an educational research project by Ólafur Elíasson in collaboration with the Berlin University of the Arts (UdK). In the context of the program, she started her research on the new series of choreographies “The marginal sculptures of Newtopia”. The series includes the works “GLAND“ (2014), “Ah! Oh! A contemporary Ritual“ (2014) and was completed in 2016 with the dance piece “OILinity“, a poetic reflection upon the problem on dependence of western societies on crude oil and its consequences on human and nature. The series were co-produced and presented at HAU Hebbel am Ufer. She studied dance at the Hellenic school of dance, at the Trisha Brown studios on a Fulbright scholarship and received a Master degree from the (SODA) Master Program at the Inter-University for Dance in Berlin. Her work is presented internationally.

Maria F. Scaroni

Maria F. Scaroni (IT/DE) is a dance artist, living in Berlin since 2004. She creates and interprets choreographic works rooted in improvisational practices and altered states of consciousness. Maria hosts workshops re-purposing post-modern dance legacies towards technologies for mutual empowerment, crossbreeding somatic practices and anti-oppression frameworks, storytelling and theory, to bring somatic literacy in support of a culture of connection. Maria performs in Meg Stuart’s works, with whom she collaborates since 2009. Since pandemic she is hosting Social Pleasure Center, a community space for somatic post-activism, queer feminist joyful militancy, radical redistribution of resources and temporary social choreography.
https://www.allalways.org/   https://www.socialpleasure.center/

Sebastian Matthias

Sebastian Matthias studied dance at the Julliard School in New York and Dance Studies at Freie Universität Berlin (MA). His choreographic work fundamentally deals with systems of improvisation, which he develops with his dancers in individual productions at venues including tanhaus nrw and Kampnagel or at institutions such as Theater Luzern and Cullberg Ballett. From 2012-2015, he delved deeper into his approach to artistic research via his dissertation “groove feeling” at the HafenCity University in Hamburg, which he then expanded with participatory processes during the “groove space” performance series.