Tanzfabrik
Berlin
Stage
Stage
Stage
Stage
Wedding 5
Badstr. 41A, Uferstr. 23
13357 Berlin
Stage
Stage
Photo: Blind Date

Blind Date

apap production studio Berlin · Performance · Premiere with Christina Ciupke, Igor Dobricic, Clément Layes, Ayşe Orhon, Jasna L. Vinovrški, Litó Walkey

Only a part, not the whole.

»Dears, by chance I opened the Oblique Strategies app on my phone. The first strategy that came up resonates with our project: Only a part, not the whole. It concerns a notion of blindness as a functional lack of comprehensive view and a logic of a 'chance' encounter favoring coexisting plurality of perspective...«
»Blind Date« is an endeavor in which the fabric of collaboration, woven out of interactions between the artists, will become both a working method and a theme. The way in which the performers design their internal relations will determine what they will share with the audience.

By & with Ayse Orhon, Christina Ciupke, Clément Layes, Igor Dobricic, Jasna L. Vinovrški, Litó Walkey | Light, sound: Catalina Fernandez I Production management, PR: Barbara Greiner | Production: A lot of body GbR | Co-production: Tanzfabrik Berlin | Supported by Berliner Senatsverwaltung für Kultur und Europa and apap-Performing Europe 2020, co-funded by Creative Europe Programm of the European Union.

Christina Ciupke

Christina Ciupke is a choreographer and performer based in Berlin. She develops her projects with artists from the field of dance and other disciplines. Within these projects, specific spaces and situations are created where proximity and distance, intimacy, sense of time and the being together of spectator and performer are constantly being re-negotiated. She has worked intensively with the choreographers Nik Haffner, Mart Kangro, Jasna L. Vinovrski and Ayse Orhon, the composer Boris Hauf, the dramaturg Igor Dobričić and visual and performance artist Darko Dragičević. In 2013 she received a Master of Arts in Choreography at the Amsterdam School of the Arts (AHK). 2016 - 2020 she was represented as an artist in the European network apap - advancing performing arts project with Tanzfabrik Berlin.

Igor Dobricic

Igor Dobricic, geb. in Serbien, lebt in Berlin. Er absolvierte sein Grundstudium in Theater, Film, Radio, Fernsehen und Dramaturgie an der Akademie der dramatischen Künste in Belgrad und besuchte einen Master of Theatre am DasArts in Amsterdam. Von 1995 bis 1999 arbeitete er als Dramaturg beim Internationalen Theaterfestival in Belgrad (BITEF). Im Jahr 1999 zog er nach Amsterdam und arbeitete bis 2008 als Programmbeauftragter für die Künste bei der Europäischen Kulturstiftung. Im Jahr 2009 erhielt Dobricic eine Stelle als wissenschaftlicher Mitarbeiter an der Amsterdamer Hochschule der Künste, wo er ein langfristiges Projekt namens „Table Talks“ entwickelte. Von 2010 bis 2011 war er Hausdramaturg des Theaters Het Veem in Amsterdam. Während dieser Zeit lehrte Dobricic außerdem regelmäßig Dramaturgie, Konzeptentwicklung und Philosophie an der Amsterdam School for New Dance (SNDO).
Als Dramaturg arbeitet er international mit Choreograf*innen und Kreativen wie Guillaume Marie, Diego Gil, Jenny Beyer, Shannon Cooney, Meg Stuart u.a. zusammen. Er ist auch als Berater und Mentor tätig, mit kontinuierlichen Engagements von verschiedenen Theatern und Institutionen (K3, DasArts etc.). Dobricic wird regelmäßig eingeladen, Workshops und Vorträge bei Kunst-/Tanzfestivals zu halten, z.B. bei ImpulsTanz Wien und in der Tanzfabrik Berlin u.a. Sein langjähriges berufliches Interesse liegt in Veranstaltungen, die durch verschiedene Kontexte im Dazwischen angesiedelt sind. Dabei bewegt er sich zwischen Theater und bildender Kunst, professionellem und nicht-professionellem Status, Einzel- und Gruppenarbeit, Ästhetik und Ethik.

Clément Layes

coming soon

Ayşe Orhon

Ayşe Orhon, Bosnian descent, born in Boston, grew-up in Istanbul, is a performer and choreographer recently based in Berlin. She is a graduate of Artez (HKA) in 2001 and the Master of Choreography program in Amsterdam (AHK) with her research "Permeable Manifestations" in 2013. Orhon performed her works in diverse festivals in Europe ­such as Can You Repeat? (2007), hava (2009), ÇOK (2010), folk (2011), thinging (2013); where the audience members eventually became the only actors of the event.  Recently she has facilitated a project together with Litó Walkey for Houseclub in HAU (Fearless Listening). Open Spaces knows her from her previous collaboration with Christina Ciupke (At Close Distance).  The common interest in her choreographic works and also teaching, is working with collective presences and a practice of creating a perturbation both in perception and action. In other words, as she is working with movement, sound and text, her focus is on zones between familiar and unfamiliar, between knowing and not knowing, creating a sense of expansion of space and time where the borders are blurred, the thin lines not being able to name where one entity ends and the other starts.

Jasna L. Vinovrški

Jasna L. Vinovrški, born in Zagreb, works as a performer, choreographer and teacher. After her graduation at Folkwang Hochschule Essen, Vinovrški has been working as professional dancer and performer for various European dance companies. ”Which Club?”, one of her first choreographic works, was awarded several times. In 2006 Vinovrški received the scholarship from Kunststiftung Baden-Württemberg and DanceWeb scholarship from Goethe Institute. In 2008 she founded the company Public in Private, together with her partner Clément Layes.
In 2012 Jasna gained her MA degree in choreography at the HZT University Berlin. In 2014 she was invited to participate in the two-year EU-Canada project “Migrant Bodies”. This collaboration resulted with her solo work “Staying Alive”, which has been on tour in Europe, Canada and New York since 2016. In addition to her artistic activities Vinovrški regularly teaches at art academies such as the HZT in Berlin, the HfMT in Cologne, the ADU in Zagreb and the Mimar Sinnan University in Istanbul.
Vinovrški has been also strongly engaged in creating alternative platforms for Berlin artists, particularly coming from dance and performance field, among others “3AM Event” Montag Modus Klimat and Flutgraben performances.
http://www.publicinprivate.com; https://www.facebook.com/publicinprivate/

Litó Walkey

Litó Wakey is a choreographer, performer and teacher living in Berlin. Her work, which has been presented in Europe and the US, includes: Hand of, of Book of Motion, (2006), aswebegin / Weld Company (2013), Where's the rest of me (2012), Like that, Like this (2008), instanded i turn ( 2006), The Missing Dance No.7 (2005), and wings raised to a second power (2002). From 2002 to 2009 Litó was a member of the performance group Goat Island from Chicago. She regularly collaborates with artists such as Boris Hauf, Myriam van Imschoot, Jeanine Durning, Lucy Cash and Karen Christopher and has worked as a performer (among others) with the choreographers Vera Mantero and Martine Piscani. Until recently, Litó was a professor and director of the BA Dance Context Choreography Program at the Inter-University Center for Dance (HZT) in Berlin. She teaches regularly at DOCH (University of Dance and Circus) in Stockholm, Sweden, and is often invited to accompany choreographic work. Litó completed her BA and Masters degree in choreography at the AHK, the College of the Arts in Amsterdam.

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