The workshop begins by introducing the fundamental movement practice of (traditional) Korean dance, 기본 (Kibon). Participants will explore two interconnected concepts: 비정비팔 (Bijeongbipal) - a footwork principle of resting between two fixed shapes. This “neither/nor” stance opens into a broader way of moving: remaining open, fluid and responsive. Following this, 정중동 (Jeongjungdong) attends to the interrelation between stillness and movement, sensing how breath, weight and subtle shifts generate flow and relationality through articulated hand gestures, arm pathways and turns. These practices serve as a starting point for choreographic exploration, where embodied principles are applied and expanded through Lim’s approach to choreography as a relational practice. Through breathing, humming, chanting and at times lament, the practice aims to move sensory memory through the body, while exploring bodily knowledge and embodied memories carried through skin, muscle, bone and breath. This approaches the body as a living archive and cultivates a sense of porosity and permeability through intangible presences such as air, 기 (qi). The five elements - water, fire, wood, metal, and soil - will be explored to sense the body as a dynamic ecology of relationships.