Silke Bake lives in Berlin, and works as curator, dramaturge and mentor. She has worked for diverse institutions (including TAT Frankfurt, Hebbel-Theater Berlin, Tanzquartier Wien) and realised programs for the House of World Cultures, the Academy of the Arts Berlin, Kanuti Gildi Saal Tallinn and Theaterformen Hannover/ Braunschweig. She worked as the dramaturg and project manager for the performing arts festival IN TRANIST at House of World Cultures in 2008 & 2009, she was the co-curator of the biennial NU Performance Festival On Hospitality on the occasion of the cultural capital program of Tallinn 2011 (with P. Stamer), and of performance platform. body affects at Sophiensaele Berlin 2012 (with B. Knaup). Together with collegues she is continuously working on formats for discussion and discourse as a.o. „from dusk till dawn and further“ - a 12 hours talkshow with 24 international guests at ImPulsTanz Festival Vienna in 2010 (with P. Stamer), „Visionärer Widerstreit“- a seven hours event, or the talk & practice formats „Let’s talk about work (and life)“ (with J. Lanteri), and „Ecologies of practice“ (with A. Chauchat, B. Knaup, S. Zacharias) at Tanzfabrik Berlin. She has been the artistic director of the biennial programm Tanznacht Berlin in 2016 + 2018, and was guest professor at the MA program SODA / HZT Berlin in 2018.
- Dance Intensive
Jan Burkhardt is a freelance dancer/choreographer, Laban-Bartenieff Movement Analyst, musician and physiotherapist. The focus of his artistic and pedagogic work is the resonance between somatic exploration and its communication into space. Jan cooperates internationally with a variety of institutions and artists. He is currently guest lecturer at the dance universities of Berlin, Stockholm, Copenhagen and Cologne. His most recent artistic research involved a.o. projects with Laurent Chetouane, Sebastian Matthias, Martin Nachbar and Cecilia Roos.
Katrin Geller has worked as a freelance dancer, choreographer and teacher in Berlin scine 1994. She went through an early classical ballet training at the Schleswig-Holstein-Ballet-Boarding-school (scholarship), in the USA and at the Ballet-Academie Hans Vogl in Berlin. 1993 she completed her final stage examination at the Deutsche Oper Berlin. Since 1994, she has become more interested in dance theater and performance. She has worked with various international artists, including Robert Poole, Sommer Ulrikson, Christine De Smedt, Ami Garmon, Marco Berrettini, Yuko Kaseki and the Achim Freyer ensemble. In recent years, she has worked more intensely on improvisation and has taken part and organized various improvisation evenings. Together with Britta Pudelko she founded the dance company Pathfinders in 1997, which showed dance productions at the Tanztage in Berlin and on several dance festivals. Katrin Geller´s approach is based on classical ballet, modern and improvisational techniques, as well as experiences in partnering and release technique. With the Fool, Daniela Schlemm, she researches and develops the combination of “dance, sound and word“ (in the sense of Laban-Today). She completed training as a CLMA (Certified Laban Movement Analyst in Laban Bartenieff Movement Studies) and has been teaching dance in Berlin dance schools for years. The deliberate inclusion of LBBS into the respective style of dance – she teaches ballet, childrens dance, contemporary and body works – gives her teaching a deeper foundation.
Lisanne Goodhue is a Canadian dancer based in Berlin since 2011. Graduated in contemporary and classical dance, as well as in visual art in Montreal, Canada (2010), she has been working in various cities around Europe and Canada as a dancer, choreographer, and teacher. She is active in the Berlin improvisation scene, being a guest artist in various events and festivals. Her choreographic work investigates the influence of visual art on the experience of the viewer and has been presented in Europe and Québec, Canada. Lisanne is a close collaborator of German choreographer Sebastian Matthias since 2009. Their work toured around America, Europe, and Asia. She has been collabora-ting/is collaborating with artists such as Sebastian Matthias, Ingo Reulecke, Louise Wagner, Julian Webber, Jenny Haack, Joanna Roggan, Antoine Effroy and Anne Rudelbach, BundesJugendBallet Hamburg - John Neumeier (dance-choreography), Ulrike Sowodniok, Biliana Voutchkova, Alexander Frangenheim, Zafraan Ensemble Berlin, Ensemble Resonanz Hamburg, (music-composition), Louise Viger, Eva Berendes, Sebastian Kite (visual art).
Tanz ist hier unverstellt, ohne Theatralik oder demonstrative Virtuosität zu erfahren: in einer ungeschminkten Klarheit und unverstellten Schönheit, die den Betrachter zunehmend in den Bann zieht. Lisanne Goodhue fasziniert durch ihre pure, losgelöst in der Bewegung aufgehende Körperlichkeit. Leon Hard from "Die Sehnsucht des Nacktmenschen nach dem verlorenen Fell", Hamburger Abenblatt 2012
Dance become a sensory machine that guides dancer such as Lisanne Goodhue to a subtle and sophisticated presence in his [Sebastian Matthias] choreographies. Irmela Kästner, Tanzplatform Deutschland 2014
- Dance Intensive
In den letzten 5 Jahren arbeitete Dima Dmytro Grynov als freischaffender Tänzer, Lehrer und Choreograf in verschiedenen Projekten in der Schweiz, Belgien, Holland, Polen, Litauen, Deutschland, Russland und der Ukraine in den Bereichen zeitgenössischer Tanz, Physical Theatre, Pantomime und site specific Performances. Er arbeitete u.a. mit Choreografen und ehemaligen Tänzern der Batsheva Tanzkompanie (Guy Shomroni, Yaniv Abraham), Ultima Vez (Sebastian Mente Maligna,Maria Kolegova), Goteborg opera danskompani (Jim de Block), Moto perpetuo und Xocolat, Theater Bremen/Unusual Symptoms, Mime wave Ukraine, Bodytalk, Luna Park, zusammen. Derzeit ist Dima Dmytro Grynov als Gasttänzer bei Sasha Waltz in der Produktion "Nobody" sowie bei Sommer Ulrikson für das Stück "Art of Being Human". Wichtige Einflüsse für Dima, was seine eigenen Technik und seinen Stil angeht, erhielt er durch das Arbeiten mit Lehrern und ehemaligen Tänzern von NDT (Ivan Perez, Marina Mascarell, Carolina Mancuso, Celia Amade, Sarah Murphy, Joerri Dubbe) und Peeping Tom (Tamara Gvozdenovic, Samuel Lefeuvre).
Dima Dmytro Grynov
- Dance Intensive
Zoë Knights is an Australian choreographer, dancer, and vocalist, based in Berlin. She completed studies in performing arts, contemporary dance and choreography, in Australia and Austria. Zoë's recent work has dealt with the choreographic abstraction of non-dance movement. Currently she is exploring voice and language in relation to the body. Her choreographic work has been supported and shown internationally. She has received prizes for her choreographic and vocal work. As a performer she has worked with Brice Leroux, Mia Lawrence, Martin Nachbar, Cabula6, LawineTorrèn and Jana Unmüssig. Zoë regularly teaches classes in contemporary dance, choreography and composition, and mentors/advises BA and MA level students, in Berlin and abroad. Zoë is an accredited yoga teacher (BWY) with over 14 years of teaching experience.
- Dance Intensive
Gisela Müller studied dance in Paris, Amsterdam (SNDO) and New York. She was a member of several dance companies before founding, in 1992, The Move Company for which she choreographed numerous pieces. She was granted scholarships for artistic work both in Germany and abroad. Since 1988 she is teaching regularly in various institutions and studios. Since 2004 she is member of the board of Tanzfabrik Berlin and responsible for the artistic and educational programme of Berlin’s Tanzfabrik School and the director of the Dance Intensive programme. From 2006 until 2010, Gisela Müller was visiting professor at the Inter-University Dance Department / HZT in Berlin (Hochschulübergreifendes Zentrum Tanz) where she invented and co-directed the BA course in Contemporary Dance, Context, Choreography. Beside she is a member of the decision making board of the east European network for performing art Nomad Dance Academy since 2012.
- Dance Intensive
Anna Katalin born 1987 in Hungary started her dance education for three years with the Budapest Dance Theater company under the guidance of Razza Hammadi, Bela Földi and Joseph Tmim. After finishing her Bachelor in Modern Dance at the Hungarian University of Dance, she continued her education at SEAD, Salzburg Experimental Academy of Dance, where she has worked with choreographers such as Milla Koinstinnen, Roberto Olivan, Victoria P. Miranda and Bostjan Antoncic. After graduating from SEAD, she moved to Berlin and became an active member of the NGO Dancers without Borders, working in various art projects with strong social-political and educational engagement. These experiences made her realise her own artistic potential and responsibilities. She brought her focus to offering access to the basic human rights of health and happiness through movement, to empower human connections, to resist all forms of oppression, to create space for integration and the discussion of the philosophical questions of freedom through dance and art. She has worked with various artists whose work aligns with the above mentioned ideologies, such as Be van Vark, Constanza Macras, Sven Seeger, Nevin Aladag and Ricardo de Paula. Since 2018, after graduating from the University of Arts, Berlin with a Masters in Choreography, Anna has continued to collaborate with artists sharing similar interests, both nationally and internationally.
Anna Katalin Nemeth
- Dance Intensive
Satu Palokangas (FIN) has worked in the field of movement improvisation and somatic methods since 1994. Certified Teacher and Practitioner of Body-Mind Centering®, Dynamic Embodiment Practitioner and Certified Laban/Bartenieff Movement Analyst, Satu first studied contemporary dance in UK and Netherlands, before moving into the US to deepen her understanding of somatic methods. She holds an MfA in Live Art & Performance Studies and currently leads her own trainings in somatic movement therapy, ecosomatics and embodied developmental anatomy and movement, and works as a visiting lecturer at the Theatre Academy of Helsinki, Dance-Movement Therapy Training in Finland and within various BMC® and LMA/BF certification trainings internationally.
- Dance Intensive
Peter Stamer is not a physicist. He is also not a bank clerk. And he sometimes is far from being an all too serious man, this despite having been trained as a theatre scholar, and having been employed as a dramaturg at a German state theatre and as a curator for theory at Tanzquartier Vienna in the 90s and aughts. For more than 15 years now Peter Stamer has been working as a free-lance art and theatre maker in the international context of contemporary performing arts. Along his stage work, he “explores conditions for discursive and physical empowerment within given social and narrative apparatuses“. In other words: together with other people he likes creating performative playgrounds in order to engage in and learn from the games of everyday behaviour. And these playgrounds need collaboration both with other players and the society we play in; those playgrounds make collaboration the ingredient without which nothing would be possible. Not only need artists to be poets of making together. They also need to be joint story-tellers in order to reshape the world ensemble, in order to create narratives of a different world, in order to summon creative forces that open up to the circus of life. No wonder Peter wishes he had been brought up as the child of a family of knife throwers. Thus he could have lived in a travelling circus among fellow artist families of animal trainers, acrobats, and jugglers who work together to get the shows going. He knows that he is over-romanticizing. But he likes the idea. Very much so. peterstamer.com
- Dance Intensive
Nina Wehnert works a dancer and movement teacher. She graduated from SEAD (Salzburg), bewegungs-art (Freiburg) and studied Yoga at OM Yoga Center NY. She teaches BMC®, Contact Improvisation, Embodied Anatomy and Yoga in daily classes, workshops, retreats and festivals around Europe aswell as at HZT Berlin and SEAD. She has great joy to immerse deeply into the exploration of movement, sensing and perceiving, the development of the body and the quest for being human which led her to study intensly BMC® with moveus and Bonnie Bainbridge-Cohen. She is certified as Practitioner and Teacher of Body-Mind Centering® and in Embodied Anatomy & Yoga.