Teachers

Erol Alexandrov was born in Plewen Bulgaria and studied classical ballett at the state recognized Opera. For four years he worked there as a dancer before he joined the experimental theatre "Gabrowo" and after that the dance theatre "4xC" in Sofia. Since 1990 Alexandrov worked in Germany and Austria at theatre Altmark, Standal, dance theatre "Ikarus", Klagenfurt and in Magdeburg at "Freie Kammerspiele". 1998 to 1999 he went back to Theatrestudio "4xC" in Sofia. He worked as a dancer and choreographer on international stages in Caen, Madrid, Sevilla, Cairo, Vienna as well as in Mexico and in Berlin where he joined the state recognized "Ballettschool of Berlin". In 2011 he joined the Collective "die Elektroschuhe". He has also appeared in various dance related and experimental videos and movies. Erol Alexandrov lives and works as a dance teacher and artist in Berlin.

Dorothee Altgeld is a stage dancer who enjoys dancing for several companies for years. She is teaching ballet and dance for kids, as well Contemporary Dance, Ballet and CI for beginners as a dance pedagogue in different dance schools and other facilities.

Born in Belgium, Antoni Androulakis started dancing at the age of eleven in a private school. Starting off with hip hop and later on discovering contemporary dance, he graduated from the Conservatory of Antwerp - Artesis( Belgium) in 2015 . Being an eager learner made him start another Bachelor in La Manufacture (Switzerland) directed by Thomas Hauert, where he focused on choreographic research as well as creating his own teaching material. Throughout his education, he has created several pieces, and has been a performer for David Zambrano, Sidi Larbi Cherkaoui, Wim Vandekeybus, Agostina d’Alessandro ... These last years, Antoni has worked with Rakesh Sukesh for the creation of the piece «Kurukshetra»( Belgium) and «Marked» from Adam Benjamin (England). He performed in various pieces of contemporary dance, as well as acrobatic circus with Alexander Vantournhout, Jordi L. Vidal, Michelle Cheung & Julie Pecard amongst others. Besides being a performer, he has also been teaching in different countries across Europe and has been the choreographic assistant of the company Cocoon during the creation of «Attaque» .

Blenard Azizaj was born in Albania. He studied at the National State School of Dance in Greece, where he graduated as a dancer, dance pedagogue and choreographer. He has worked and collaborated with various companies around Europe such as Sasha Waltz & Guests in Berlin, the Akram Khan Company in London and Cie Linga in Lausanne. His career has taken him around the globe, touring and performing in international dance festivals. In addition, he works as a dancer, choreographer and dance teacher, teaching his dance dialect in dance companies, dance & theatre academies and several studios around the world. His choreographic pieces are »NoBody's Land«, »Fleeting Feathers«, »Walls«, »In the Beginning«, »Sacred Scars«, »Human«. www.blenardazizaj.com

Silke Bake lives in Berlin, and works as curator, dramaturge and mentor. She has worked for diverse institutions (including TAT Frankfurt, Hebbel-Theater Berlin, Tanzquartier Wien) and realised programs for the House of World Cultures, the Academy of the Arts Berlin, Kanuti Gildi Saal Tallinn and Theaterformen Hannover/ Braunschweig. She worked as the dramaturg and project manager for the performing arts festival IN TRANIST at House of World Cultures in 2008 & 2009, she was the co-curator of the biennial NU Performance Festival On Hospitality on the occasion of the cultural capital program of Tallinn 2011 (with P. Stamer), and of performance platform. body affects at Sophiensaele Berlin 2012 (with B. Knaup). Together with collegues she is continuously working on formats for discussion and discourse as a.o. „from dusk till dawn and further“ - a 12 hours talkshow with 24 international guests at ImPulsTanz Festival Vienna in 2010 (with P. Stamer), „Visionärer Widerstreit“- a seven hours event, or the talk & practice formats „Let’s talk about work (and life)“ (with J. Lanteri), and „Ecologies of practice“ (with A. Chauchat, B. Knaup, S. Zacharias) at Tanzfabrik Berlin. She has been the artistic director of the biennial programm Tanznacht Berlin in 2016 + 2018, and was guest professor at the MA program SODA / HZT Berlin in 2018.

Laura Beschi is a freelance contemporary dancer and teacher, based in Berlin. Born in Como (IT), since very young age she felt passionate in dance and performing arts. She graduated in SEAD in 2017. In the past yhears she collaborated with Ryan Mason, Jelka Milic, Jordan Deschamps, Rakesh Sukesh, Eduardo Torroja (Ultima Vhez), Francisco Cordova, Manuel Ronda, Michikazu Matsune, Anna Katalin Nemmeth, Elio Gervasi, Roman Baca amongst others. Currently, She is member of the company Nicola Galli Performing Arts.

Eva Blaschke, dancer, performer, dance pedagogue is trained in Laban/Bartenieff movement studies, Modern Dance/New Dance, Aerialdance, Gyrokinesis and a CMA (Certified Movement Analyst). She teaches Laban/Bartenieff movement studies, dynamic dance techniques, improvisation and performance. Amongst others she performs with the group "Dynamic Improvisation" and Performancebühne Berlin, as well as with the “Slices Ensemble” together with the musician and composer Henry Mex.

David Bloom was born in Heidelberg, Germany, to a family from New York, NY. He has been playing the piano professionally since he was 16 years old, including a brief stint at the bar Marie's Crisis in New York. He received his dance training mainly at the Academy of Music and Performing Arts in Frankfurt, Germany and also studied with William Forsythe, Kirstie Simson and Benoît Lachambre. He was a member of the dance ensemble at Staatstheater Darmstadt, and has collaborated on projects by Marco Santi, Michaël d'Auzon, Nir de Volff/Total Brutal, Micha Purucker, Ingo Reulecke, Canan Erek, Friederike Plafki, Felix Ruckert & Tino Sehgal. He has taught contemporary dance in a variety of contexts, and is also a graduate of Barbara Carellas’ Urban Tantra Professional Training Program. He has also studied BDSM and Tantra with teachers such as Joseph Kramer, Felix Ruckert, Osada Steve & Midori. Since graduating from the M.A. Choreography at the Inter-University Center for Dance (HZT) Berlin - where he has also taught since 2017 - he has been focusing mainly on his own choreographic work, including "Die Heilige und die Hure", a solo for Felix Ruckert, and "enemy", an interactive sauna dance piece. He also regularly curated the Berlin play party/choreographic installation "Friends & Lovers", which inspired a trilogy of short films, that each premiered at the Berlin Porn Film Festival since October 2013. David is a recipient of a 2012 danceWEB Scholarship, and returned to the ImPulsTanz Festival to teach in 2015 and 2016. More info at: https://davidbloom.info  davidbloom.info

Johanne Castillo Bro – studied teaching in Denmark following her dance education at the Iwanson Schule für zeitgenössischen Tanz. Since then she has danced in several dance productions and companies in Paris, Munich and Berlin, amongst others MHK, Moebius, ACC/encorps, InSenso and Choreographers such as Katja Wachter, Willy Dorner, Jess Curtis, Gill Clarke, Rosalind Crisp, Eric Lecomte, Olga Cobos and Peter Mika. She has worked several years as a dramatic adviser and choreographer for the theater company C.O.C and with the director Yann Gonzales in Paris. Since 2009 she lives and works as an independent dance teacher, dancer and choreographer in Berlin, working amongst others for the Staats Oper Berlin, AbenteuerKultur dm-drogeriemarkt and for the artist collective possible.movement.

Jan Burkhardt is a freelance dancer/choreographer, Laban-Bartenieff Movement Analyst, musician and physiotherapist. The focus of his artistic and pedagogic work is the resonance between somatic exploration and its communication into space. Jan cooperates internationally with a variety of institutions and artists. He is currently guest lecturer at the dance universities of Berlin, Stockholm, Copenhagen and Cologne. His most recent artistic research involved a.o. projects with Laurent Chetouane, Sebastian Matthias, Martin Nachbar and Cecilia Roos.

Andrea Jenni Burnoski was born and raised in Switzerland and she has been living and working in Berlin, Germany since 2008. She studyed Movement Pedagogy in Basel, Switzerland and in 2006 she received a dance diploma from SEAD (Salzburg Experimental Academy of Dance).  Andrea has taught dance, movement and Klein Technique™ at diffrent Institutions and Studios in Berlin and Switzerland. She has danced for several choreographers including Willi Donner, Kirsten Burger, Jessica Jobaris, Nancy Banfi and collaborated with Dominique Richards, Raffaella Galdi, Christian Burnoski and Meredith Bove. Her choreographic work has been shown at Sophiensaele, Ballhaus Ost, ada, Theater am Gleis, Sudhaus Warteck and at several galleries in Berlin.   In 2002 she took her first class in Klein Technique™ at the Klein School of Movement and Dance in New York. Since then she has been taken classes and workshops with Susan Klein, Barbara Mahler and Hanna Hegenscheidt. Since 2019 she is a certified Klein Technique™ teachers.

Rossella Canciello, Italian born and currently based in Berlin, is a choreographer and dancer. Over the years she's worked with international dance companies and theaters like Goldoni Theater, Deutsche Oper, Staatsoper Im Schiller Theater, Arabesque Company, Ensemble Ballet, Borderline dance Company. She collaborates with Susanne Linke, being involved in several projects and recently as an assistant for her workshops. As an educator she teaches contemporary technique, composition and improvisation. Besides her dancing work she also teaches GYROKINESIS® method.

Tchivett has been a performer, dance maker and improviser since 2011 and completed the Choreography Masters degree at HZT in 2018. In his performance and choreographic practice he works with fine qualities of relationship between bodies, spaces and audiences ; creating social situations and sensitive atmospheres and exploring at the border with visual arts and sculpture. As an interpreter, among others, he has danced for re-enactments by Hanna Halprin and Marina Abramovic, the choreographic pieces by Atsushi Takenouchi and Annabel Guérédrat, and in Berlin with Shannon Cooney, Jolika Südermann and Josep Caballero. He regularly teaches butoh, contact improvisation and somatic practice in workshops and classes. He also contributed to various dance research and performance collectives (Danses bizarres, CORPOL, Collective matters, etc.) with a focus on queer culture, feminist politics and self-organization.

Maya M. Carroll is an independent choreographer, performer, mentor and teacher. Works as an artistic director of The Instrument since 2011. Since 2004 Maya created over 30 works from solo to extended group pieces, collaborating with artists and performers from Europe and abroad. She travels with her teaching worldwide, conducting workshops and performance projects. Her work is anchored in the meeting point between the tangible and imagined; reality and myth, drawn from and towards choreography, improvisation and performance. www.theinstrument.org

After a professional rhythmic gymnastics career, Cristiana joined as a trainee the Aterballetto Company, directed by Mauro Bigonzetti and received several scholarships (eg. at “Merce Cunninghum Studio” ,”Peridance Center”, in New York, ..). She joined Botega Dance Company (IT), J.K.Tyl Theater Pilsen (CZ) and Balletto dell’Esperia (Turin,IT), dancing pieces by Enzo Celli, Michele Pogliani, Bronislav Rosnos, Alena Peskova, Libor Vaculìk, Inmacolada Rubio, Hervè Costa, Eugenio Scigliano, Laura Corradi, Paolo Mohovich, and others. Since 2010 Cristiana works as freelancer, taking part in different productions and projects, as a dancer and a choreographer (e.g. Berliner Ensemble). Her works have been presented in international theaters and festivals - her piece “Tangram” has been nominated for the “Total Theatre Award” at the Edinburgh Festival Fringe.

Yael holds a bachelor’s degree in dance from the Codarts University of the Arts in Rotterdam, the Netherlands (2007-2011), and is a former member of the Vertigo Dance Company In Israel (2011-2015). Currently works as a freelance dancer, teacher and independent dancemaker. Additionally, Yael is a certified Feldenkrais® practitioner. Teaching classes and workshops around the world, Yael has developed a movement vocabulary and approach that incorporates principles and images from Yael’s background of release-based techniques, classical ballet, partnering, the Feldenkrais Method and more primal forms of human intuitive and impulsive movement.

Alvin is a certified Gaga teacher, photographer and dance artist based in Toronto, Canada. He completed the Gaga Teacher’s Training Course in 2018 under the artistic direction of Bosmat Nossan with the generous support from the Ontario Arts Council’s Skills & Careers Development Grant for Artists of Colour and Canada Council for the Arts’ Career Development Grant. During the course, he participated in Gaga intensives and took company classes at Batsheva Dance Company under the artistic mentorship of Ohad Naharin. He holds a Bachelor’s Degree in Management & Organizational Studies specializing in Finance and Administration at Western University, Canada. His work has been featured in numerous shows including International Dance Day, Toronto’s Original Choreographer’s Ball, Toronto Fringe Festival, Nuit Blanche Toronto. Alvin also produces dance events including “Short Dances”, Night Swim, The Workshop Room and Special Gaga/People & Gaga/Dancers classes in Ontario. He is a guest faculty member of Western University, Centennial College, H.B Beal Secondary School and Toes for Dance. Alvin has photographed numerous dance artists, companies and events including Batsheva Dance Company (TLV), Sidra Bell Dance New York (NY) and Evelyn Hart for The Dance Current (TO). alvincollantes.com

Mo.Ré, a collective for movement research. Mo.Ré is a network for movement research by dancers who are based in Berlin and share a personal experience with Gaga, Ohad Naharin’s dance practice with Batsheva Dance Company. Through teaching and mutual exchange, we further explore our understanding of dance and movement, as well as investigate and get feedback over our new findings.The classes will be taught by: Steph Amurao, Juan Corres Benito, Tamar Grosz, Einav Katan-Schmid, Nitsan Margaliot, Olivia Tarrish Ancona, Kerem Shemi.

Maria Colusi, born in Buenos Aires, Argentina, is a dancer, choreographer, and teacher, who has been engaged an intensive work in Europe and worldwide. She was member of the Contemporary Ballet Teatro General San Martin,Tangokinesis Company and since 2003 of Sasha Waltz & Guests Company. She has simultaneously developed her own choreographic work including: Sink’ 2018 with the composer Edgardo Rudnitzky, ‘Querandi’ 2017 with Florencia Lamarca and Edgardo Rudnitzky; ‘Tone undertow’ 2015 with Maya Carroll; ‘Topo’ 2014;‘Witness’ 2013 with the composer Edgardo Rudnitzky. As well she collaborated with musicians in the Frame Performance Series ‘Taktstelle- Musiktanzreihe’ ,‘Zwischenwelt festival for music and dance improvisation’ ‘Dialogue/Wirbel Improvisation’. Beside she worked with various theatre directors including Luciano Suardi Alejandro Tantanian and Ola Mafalaani. Her works has been performed in several venues such as Radial System, Dorky Park DOCK11, Kunst Festival des Arts, Berliner Ensemble, Acud theater, Lido.

Shannon Cooney (BFA) is a Canadian choreographer, dance performer and dance educator based in Berlin, Germany since 2006. Since 1993 her choreography has been presented in Canada, Europe the in the U.K. She danced with Toronto-based Dancemakers (1994-2006), artistic director Serge Bennathan, which toured extensively nationally and internationally. She has also worked with several choreographers over her 3 decades in dance. She’s a creative facilitator for choreographers and for students of the (HZT) in Berlin. Since 2007 she created a teaching practice melding her work as a dance artist with her work as craniosacral practitioner. Her recent choreographic projects include: Fielding: solo with Cases (2018), Fielding (2017), every one everyone (2013), Assemblages (2011) and Spiral Pendulum: dance (2009). www.shannoncooney.org

Francisco Cuervo studied dance in Colombia and New York and worked for many years as a dancer at the Folkwang Tanzstudio and Tanztheater Wuppertal, among others. After his career, he began to teach dance in schools at "TanzZeit" and at the same time devoted himself to the study of Tai-Chi and Klein Technique. In 2014 he began teaching the "Movement Practice Class" at the Tanzfabrik Berlin. As a choreographer, he worked in various youth dance theatre productions with amateurs, including regularly for the intercultural youth dance theatre in Oranienburg. In 2017 he began the three-year training in the MDB (Method Danis Bois) "perceptive pedagogy / fascia therapy".

Davide De Lillis is a creator, dancer, performer, Yoga teacher and Feldenkrais trainee based in Berlin. Since his early movement/dance education, till his more recent somatic trainings, he has always been interested in exploring processes that find in the body the means to dissolve ordinary perceptions of the world and of the self. Davide is a caring, relaxed and easygoing facilitator, dedicated to create safe spaces for transformative experiences. Since 2014 he has taught in studios and Universities in Vietnam, Netherlands, Germany, Italy, UK and USA. www.davidedelillis.wordpress.com

Professional experience: The Batsheva Ensemble Dance Company (Ohad Naharin). Worked as a freelance dancer with choreographers: Anat Danieli, Inbal Pinto, Barak Marshall and with ‘Matanicola’, The dance/theatre director Sebastian Blasius, Görlitz Opera House- as a dancer and choreorgapher. Choreography for a film by director Amit Epstein. Participation in duet creations by choreographers: Rami Levi (Culberg Ballet, Nacho Duato - Compañía Nacional de Danza de España, Batsheva dance company), Yossi Tmim, Michael Getman. Since 2000 - DeDe Dance Company as co-founder- artistic director, choreographer and dancer. Co-founder of the Tel Aviv Dance Company and of the 'Maslul' advanced dance training program in 2008 of the BIKUREI HAITIM CENTER. Co-founder of the `HaSadna`, advanced dance training program. Creating and teaching in `Danceworks`Academy- Berlin, in `Die Etage` Academy- Berlin. Certified 'GAGA' teacher. The 'MSIDC'  (Multy Style International Dance Conference) – As head of the contemporary department. Prizes and awards: Best performing artist, 1998 Adami prize at the Bagnolet International Dance Competition/France, Ministry of Culture Prize for Young Choreographers -  Israel 2007, The Tel Aviv  Rosenblum Arts Award 2010.

Alma graduated from the Anton Bruckner University (IDA) in Linz, Austria. Previously, in her hometown Buenos Aires, she studied at the National Ballet School and at the Contemporary Dance School of the National Theater San Martin. Joining Norrdans in 2006 as an understudy, she continued her professional career at the Choreographic Centre Linz, Landestheater Linz, Landestheater Coburg, Stadttheater Hildesheim, Landestheater Flensburg and Theater Hagen. Some choreographers Alma worked with are Carlos Matos, Gerda Köning, Ramon Oller, Alfonso Palencia, Teresa Ranieri, Milli Bitterly, Rose Breuss, Katja Erdmann-Rajski and Adriana Barenstein, among others. Alma also worked with DIN-A13 Dance Company and currently she is performing with TanzSpeicher in Würzburg. Choreographic residencies at the C.C.Borges (ARG), guest teacher at the National University of the Arts of Buenos Aires and guest speaker at the University of Oslo (Young Creators Symposium). Awarded with several grants for creations and studies by the Cultural Affairs Office of Bs As, Air France and Pierino Ambrosoli Foundation of Switzerland. Several int. Ballet competitions awards winning on her earlier years. Alma is the Artistic director of ST VITO - a multimedia project that fuses interactive technology and dance. ST VITO has been commissioned by several international institutions since 2015. Alma has taught workshops in Australia, Canary Islands, Argentina, Peru and recently she became a guest teacher for the profi training in Marameo and Dock 11 Berlin. Since August 2017 Alma is a Master of Arts student of the work-study program in dance pedagogy at the Palucca University of Dance Dresden, specializing in professional dance education.

Iyar El-Ezra was born in Tel Aviv on 1987 and studied in the Academy of Dance and Music in Jerusalem. Joined Batsheva Ensemble in 2005 and worked at the Batsheva dance company from 2008 until 2016. During her work period in Batsheva, aside of working regularly with Ohad Naharin, has also worked with Yasmeen Godder, Sharon Eyal and Roy Assaf. Iyar is a recipient of the 2002-2004 Israel-America cultural foundation education scholarship. She choreographed and participated in "curtain up 2015" - a centerpiece of Israel's contemporary dance calendar for young choreographers. Has won the "Yair Shapira award" in 2016.

Shai Faran is an Israeli dancer, teacher and choreographer, based in Europe. After studying in Israel and dancing for the Kibbutz Contemporary Dance Company II, the Sigma Ensemble, the Dafi Altabab Dance Group, she moved to Europe, where she has worked with different choreographers such as Matej Kejzer, Maya M.Caroll, Zoe Knights, Yuval Pick, Shumpei Nemoto, Maura Morales Alessandro Sciarroni, David Hernandez andmore. In the last few years she has been teaching contemporary dance and improvisation classes and workshops around Europe while developing her own work and working as a free lance dancer, teacher and choreographer.

Camilla Fehér, studied at the Codarts/Rotterdam as a docent for dance, improvisation and choreography and completed her studies at the Dasarts/Amsterdam with a Master of Performance/Theatre. Since 2011 Camilla Fehér and Sylvi Kretzschmar have formed a performance duo under the name SKILLS. Skills works with political issues through interviews that are transformed into lyrics and performed in their concert performances. The role of the body is questioned in the live performance of electronic music on stage. We install landscapes with objects and create dances while inhabiting these sound and landscape images. www.we-are-the-skills.de

The arts of movement and dance in particular are above all means of communication to enter into a lively dialogue with ourselves or the world around us. This dialogue may be very serious, or funny, holy or profane...for me dance and movement is the possibility to be in the moment of a creation process, which has a healing and liberating effect on me. For almost ten years I was not aware that the different styles of movement and techniques I was taught were not necessarily in harmony with the structure of my body. After two three years of full-time training as a professional stage dancer and another three years of intensive training and workshops in dance and movement, I felt that something very basic was still missing in my understanding of movement. This changed when I met pioneers who taught an approach or method called Axis Syllabus. It can be described as a living encyclopedia of human movement locomotion, providing a diverse source of information from various fields of science, all of which are related to the design, structure and function of the human body in motion. Developing a basic understanding of our vehicle or instrument through which life moves and is processed is very crucial for self-empowerment and for developing and promoting harmonious and fruitful relationships within ourselves and with the world around us. Since my first encounter with Axis Syllabus in 2012, I have been committed to the task of immersing myself in the study of these fundamental principles and tools. I love to share and pass on information and knowledge regarding the potential of human movement. I regularly teach courses at BDI, Berlin Dance Institute in Berlin and give workshops in different cities. Since the beginning of 2018 I am a candidate for the Axis Syllabus teacher program.

Felipe Fizkal, dancer and choreographer from Chile, received his Bachelor in Dance from the Chilean University. In 2011 he founded his own independent dance company "creativo Beso negro" 2011-2016, "Felipe Fizkal Dance Company" since 2016, for which he developed various dance projects such as "corvus corax" 2011, "Para que las perras ladren" 2013, "Airuyai" 2016, "Extincion" 2016-2017, "Los guerreros del hambre" 2018. Since 2014 he has been teaching as assistant in the BA programme at the University of Chile and for various teachers in national and international contexts such as Alena Arce (Chile/Brazil), Kenan Dinkelmann (Germany), Kitty Kings Dance Company (Switzerland). His main interest in teaching lies between the understanding of technique and interpretation and experimentation. Felipe has been working as a freelance artist based in Berlin since 2018.

Christa Flaig-Isaacs, dancer, pedagogue, project manager. Studied african dance in Europe , west-african african,  countries mainly west and south, South Africa and Martinique. Focus of her (artistic) work is the research on source and quality of movement in african dance and the possible meaning, adaptation and transformation for non-african dancers. For over 25 years organisation and management of festivals for dance and cross-cultural exchange in Europe and Africa. Actually she is board member and curator of the workshop festivals of Tanzfabrik Berlin.

Chaim Gebber, Brazilian choreographer, dancer and dance teacher, has been working with various companies of the brazilian dance scene. His work “Pressagios da loucura” (1993) was named the best choreography of the year from UNESCO and CIDC (Conseil International de la danse, Paris). In Germany he held engagements as a teacher and solo dancer at several theatres and private companies. 2005 he decided to work on his own dance projects in Berlin. 2007 - 2011 Chaim Gebber has also been living and working in Shanghai, China. His choreographies have been shown in Europe, Brazil and Asia. Chaim Gebber is teaching professional dancers in dance companies around the globe: Cia. de Danca do Palácio das Artes (BR), National Theatre Darmstadt (GER), National Theatre Kassel (GER), Jin Xing Dance Theatre (CH), Beijing Contemporary Dance Theatre (CH), Architanz (JP) a.o. www.chaimgebberopenscene.com

Katrin Geller has worked as a freelance dancer, choreographer and teacher in Berlin scine 1994. She went through an early classical ballet training at the Schleswig-Holstein-Ballet-Boarding-school (scholarship), in the USA and at the Ballet-Academie Hans Vogl in Berlin. 1993 she completed her final stage examination at the Deutsche Oper Berlin. Since 1994, she has become more interested in dance theater and performance. She has worked with various international artists, including Robert Poole, Sommer Ulrikson, Christine De Smedt, Ami Garmon, Marco Berrettini, Yuko Kaseki and the Achim Freyer ensemble. In recent years, she has worked more intensely on improvisation and has taken part and organized various improvisation evenings. Together with Britta Pudelko she founded the dance company Pathfinders in 1997, which showed dance productions at the Tanztage in Berlin and on several dance festivals. Katrin Geller´s approach is based on classical ballet, modern and improvisational techniques, as well as experiences in partnering and release technique. With the Fool, Daniela Schlemm, she researches and develops the combination of “dance, sound and word“ (in the sense of Laban-Today). She completed training as a CLMA (Certified Laban Movement Analyst in Laban Bartenieff Movement Studies) and has been teaching dance in Berlin dance schools for years. The deliberate inclusion of LBBS into the respective style of dance – she teaches ballet, childrens dance, contemporary and body works – gives her teaching a deeper foundation.

Eva Georgitsopoulou is a Greek dancer based between Berlin & Athens. She studied Law and graduated from the National School of Dance in Athens. She continued her studies in Dance Workshop Gaaton in Israel where later on she worked for projects by Noa Zuk, Shlomi Bitton, and Kibbutz Contemporary Dance Company. She has also collaborated with the Oktana Dance Theatre, the Hellenic Dance Company, Cia Sonia Rodriguez, Inside The Body Performing Arts, Frantics Dance Company, .Judith Sanchez Ruiz & Edivaldo Ernesto. Since 2016 she has been working as a project base performer, with the Aerites Dance Company/Patricia Apergi and since 2019 with Sasha Waltz & Guests. Her own choreographic projects have been staged in Greece and Germany.

Lisanne Goodhue is a dance artist based in Berlin since 2011. Graduated in classical and contemporary dance and visual arts in Montreal, Canada, she has considerable professional experience working in Europe, Asia and Canada. In addition to being a performer for others (Sebastian Matthias, etc.) in various venues and events for many years, she also initiates multiple artistic collaborations involving primarily dance and visual art. Her choreographic works were presented in Berlin, Montreal, Sweden, London, and Montpellier. She is currently based between Germany and France, as she is completing her Master in Choreography at the CCN in Montpellier, France. Lisanne is a teacher at Tanzfabrik Berlin since 2017.

Alicia Grant is a choreographer and dancer based in Berlin. She received a BFA in Dance from York University in Toronto, Canada. Her work in performance, video and installation has been presented in North America and Europe from stages to swimming pools to abandoned factories to galleries. She is one part of WITCHTITS, with Zinzi Buchanan and works in various constellations with other makers in Toronto, Berlin and Zagreb. As a dancer and collaborator, she has worked with Zoja Smutny, Isabelle Schad, Shannon Cooney, Irena Čurik and Andrea Spaziani. She shares why-am-i-alive dance practices at Studio 303 in Montreal, Love-In in Toronto, Ponderosa in Stolzenhagen and Tanzfabrik Berlin. She is interested in power dynamics, transformation, fear and intimacy and is currently developing a moody towel practice in Wedding.

Miriam Rose Gronwald (DE/USA) is a multi-disciplinary artist working in between dance, video art, textiles and the fine arts. Trained as a professional dancer, she completed her dance training at the Academy of Dance, Mannheim and the Frankfurt University of Music and Performing Arts. During her studies she received the EHF 2010 scholarship from the Konrad-Adenauer Foundation and the Studienstiftung des deutschen Volkes. In 2012 she joined the 'Gauthier Dance Company' at Theaterhaus Stuttgart where she danced in pieces by Ohad Naharin, Jirí Kylián, Mauro Bigonzetti, Stephan Thoss and Nanine Linning among others. Later on, she continued dancing in France with the CCN - Ballet de Lorraine while working closely with choreographers such as Marie Chouinard, Jan Martens, Deborah Hay and Rashid Ouramdane. In April 2018 she moved to Berlin working as a freelance dancer and choreographer as well as expanding her work in the fields of video installations and textile art. Her most recent video installation ‘The Occupation of Time’ showed during the Berlin Gallery Weekend 2019. www.miriamrosegronwald.com

Sagí Gross is a choreographer, teacher and performer. He was educated at Tellma Yellin school of the arts in Tel Aviv and Dutch National Ballet School in Amsterdam. He danced with Bat-Dor Dance Company, Dede Dance Company in Tel Aviv, the Israeli and the Dutch Opera houses, with creations by: Luciano Canito, Troy Mundry, Yaara Dolev, Amit Goldenberg, Andrew George, Yigal Perry, Nils Christe, Kimiho Hulbert and others. Since the age of 15 during his studies he followed a need for self expression with his own body language and authenticity. He has created over 40 pieces for different companies and academies around the world. Next to choreographing in theatres, he has also been involved in multidisciplinary projects in different locations, and as well created two dance films. He is developing his own choreographic method called 'Physical script', and has his own foundation GrossDanceCompany which is based in Amsterdam. At the moment Sagí is dividing his life between Berlin and Amsterdam. 

Tamar Grosz was born 1990 in Santiago de Chile, she grew up in Jerusalem, Israel. She joined the Bathsheba ensemble 2008 and since 2010 she has been working as a freelancer. She danced with choreographers: Ronit Ziv, Idan Cohen, Maya Levi, Sofia Krantz, Sharon Ayal, Ohad Naharin, Iris Marco, Kiani Del Valle, Aoife McAtmney, Christoph Winkler. In 2013, she moved to Berlin where she founded together with her college Francesca Penzo the artistic platform FEM – for feminine*feminist art. Under FEM she created the pieces "Why are we so f***ing dramatic?" (2013), "577 ovules in the right place" (2016), " i am not a Jew Israeli vegan lesbian woman. I am Tamar" (2014) and "The future" (2017). Tamar is a Physics and chemistry bachelor student in the open university of Israel and researches how experience life in a serious humor.

During past 5 years Dima Dmytro Grynov have been working as a freelancer dancer/teacher and choreographer in different projects in Switzerland, Belgium, Netherlands, Poland, Lithuania, Germany, Russia and Ukraine in genres of contemporary dance, physical theater, Dutch mime and site specific performances. He was collaborating with choreographers and former dancers from such company as Batsheva dance company (Guy Shomroni, Yaniv Abraham), Ultima Vez (Sebastian Mente Maligna,Maria Kolegova), Goteborg opera danskompani (Jim de Block), Moto perpetuo and Xocolat, Theater Bremen/Unusual Symptoms, Mime wave Ukraine, Bodytalk, Luna park among the others. Currently Dima Dmytro Grynov is working as a guest dancer with Sasha Waltz for "Nobody" and with Sommer Ulrikson for "Art of Being Human". Most significant input on his technique and style was made by teachers and former dancers from NDT (Ivan Perez, Marina Mascarell, Carolina Mancuso, Celia Amade, Sarah Murphy, Joerri Dubbe) and Peeping Tom (Tamara Gvozdenovic, Samuel Lefeuvre).

After studying sports (with state examination) in Tübingen, Eva Günther began her dance training in modern dance in Cologne (Graham technique) and in Berlin (Cunningham, Limon). She danced in various independent companies, among others with Janine Schneider (Berlin). From 1993 - 2007 she directed the dance and movement studio "Mobile" in lively Berlin-Wedding and choreographed the amateur dance theatre "Mobile". Whether child, man, old, headscarf, pregnant, rheumatism sufferer or teenager: for 25 years she has been bringing dance and movement to people in all walks of life. Since 2005 she has also been working as a yoga teacher and actress. Since 2018 she has been working with the choreographer Martin Nachbar and regularly performs in his plays for children and young people.

Billie Hanne is a Belgian dance maker. She reimagines tradition and pushes boundaries in visceral works at the nexus of dance, choreography, visual art, composition and a new form of poetry. Billie runs a dance company, performs solo and collaborates with others. In her company, Billie & Wheelgod (since 2012), she directs dancers to make pieces that fulfil poetic directives. So far she has presented eight solo works (Hollyhocks, Deep Brown Sea, Daisy …. ) that were shown all over Europe. She also creates commissioned works and happily lends her services to other artists in various set ups. Currently her career spans ten years. She was a trained gymnast from the age of 4. She studied ancient poetry and literature in Belgium and Greece before entering the dance scene in 2008. Her work in dance & speech is singular and has her occupy a unique place in the European artistic landscape. www.wheelgod.billiehanne.net www.billiehanne.net/

Choreographer, dancer, performer, dance curator. Studied Dance in her homecountry Colombia and finished her Dancetheatre and SoloDance Postgraduate studies at the Folkwang Hochschule Essen, under the guidance of Pina Bausch. As a dancer she worked for the Wuppertal Dance Theatre, the Münster State Theatre, the Schauspielhaus Bochum, the Aachen Theatre and performed in several independent productions. As choreographer she worked at Stadttheater Basel, Switzerland and her own creations has been invited to Festivals in France, Croatia, Italy, Holland, Ecuador, Brasil and México. Martha got the Tanzstipendium and the Einstiegsförderung of the Berliner Senate. "Transparente" her first full-length film celebrated premiere at the American Dance Festival / International Screendance Festival in U.S.A. and toured in Europe and South America. She worked lately with artists like Alexandra Pirici, Jochen Sandig, the Rundfunkchor, Teodor Currentzis and the CEPRODAC at México City. For her new creation she has the support of the Spanish institution Iberescena and the Goethe Institut. She is since 2014 curator for the Bienal de Danza de Cali, Colombia, since 2015 mentee of the Performing Arts Program Berlin, and since 2011 artistic director of Plataforma/SurReal Berlin: Ibero-American Festival for Dance, Performance, Installation and Screendance. www.facebook.com/MarthaHincapieCharry

Chandana teaches classical ballet with a contemporary slant. Her experiences as a modern dancer and yoga teacher have influenced her teaching and she puts a focus on working with the breath, mental flexibility and body awareness. Born in Munich, she studied dance and dance education at the Staatliche Musikhochschule Heidelberg/ Mannheim and completed her studies with a diploma in stage dance and dance pedagogic. As a dancer she successfully gained experience both on a domestic and an international level.Since 1992 she has taught classical ballet for professionals, dance students, adults, personal trainer and intense-workshops. Since 1999 she has been living and working in Berlin as a freelance dancer, performer, dance educator, vinyasa yoga teacher (OM Yoga) and certified Gyrotonic®trainer.She has been a member of the Freyer Ensemble since 2001. www.chandanamhoermann.wixsite.com/meinewebsite

Tarren Johnson is a choreographer and artist from Southern California. Her original performance works use multiple media and systems thinking to address collective dysfunction and the cultural subconscious. Her recent works include Dripfeed (2018) and Shade (2017). She has performed across Europe including at Art Basel (2017, 2018), Munich Public Art Festival (2018) and Manifesta 11 (2016); and choreographed at The Volksbühne (2017–2018), Martin Gropius Bau (2018), and Kunsthalle Baden-Baden (2016). She received her Bachelor of Fine Arts in 2013 from California Institute of the Arts. She is based in Berlin.

Einav Katan-Schmid is an independent researcher, dance maker, dance instructor and dramaturge based in Berlin. Her work is in the intersection of dance practice, technology, philosophy and culture making. Most recently she has led the interdisciplinary practice-based research project ‘Playing with Virtual Realities’ at the Excellence Cluster: An Interdisciplinary Laboratory at Humboldt University of Berlin and DOCK 11 Berlin. She is a core convener for the international network ‘Performance Philosophy’ and a co-founder of ‘Mo.Ré, a collective for movement research’ (Berlin). She serves on the editorial Board of the book series Studies in Dance History (Dance Studies Association and Michigan University Press) and published on dance practice from the perspectives of embodied philosophies of perception, pragmatist aesthetics and hermeneutics. Her book ‘Embodied Philosophy in Dance; Gaga and Ohad Naharin’s Movement Research’ was published with Palgrave Macmillan (2016). Einav has a PhD in philosophy from Tel-Aviv University, Israel (2014), a dance teaching diploma from Wingate Institute for Physical Education and Sports, Israel (2007) and an extensive background as a trained dancer. She teaches Embodied Research and dance improvisation classes together with Mo.Ré Collective.

Kasia Kizior was born in Poland. In her early years, she studied ballet and folk dance at the National Ballet School/Lodz. Her interest in social aspects of dance and performance led her to the University of Humanities Science/Lodz where she obtained a B.A. degree in Political Science. Since 2007, she has been working with Zawirowania Dance Theatre, the Polish National Opera in Warsaw and the Opera House in Frankfurt am Main. In 2015 Kasia obtained a master’s degree in Contemporary Dance Education from the Frankfurt University of Music and Performing Arts (HfMDK). Currently she works as a dance educator, choreographer and freelance dancer. Recent work includes choreography for TV productions and films. Kasia became a certified Gaga Teacher in 2019 in Tel Aviv, under the artistic direction of Bosmat Nossan, Saar Harari, and Ohad Naharin.

Mu-Yi Kuo (Taiwan/D) trained in contemporary, classical and Chinese dance in Taiwan and Germany. Since 1995 she has been working as a dancer, choreographer and teacher. As a dancer, she worked with choreographers including Stephanie Thiersch, Anna Konjetzky, Rodolpho Leoni, Philipp van der Heijden, Pina Bausch, Yaron Shamir, Henrietta Horn, Michele Anne de Mey and Thierry de Mey. As a creator, her debut creation “Cycle C” (2011) was nominated by the Aerowaves European Network as the most outstanding interdisciplinary production of Germany. In 2012, she choreographed the solo theater work “Dance Play” for playwright Ana Mendes, winning the Prize of the Jury Sophiensaele at the 100° Berlin Festival. In 2013 she created an intermedia concert performance “Prisma” together with musicians Ensemble Ruhr during a residency at Pact Zollverein. She has taught in companies and institutions such as Pact Zollverein, Tanzhaus NRW Düsseldorf, ZAIK Köln, Mouvoir Dance Company, Akram Khan Company, Cie Toula, Folkwang Tanzstudio and Ben J. Ripe Company, Neuer Tanz Company. Since 2014, Mu-Yi Kuo has been faculty member of the Folkwang University of the Arts where she teaches dance, movement composition, improvisation and coaches student creations. Mu-Yi Kuo is currently in the education program of Feldenkrais.

Rilaben is a performer, author, researcher. Studied Architecture, PAP in Bilbao/Amsterdam, and A. Nikolais pedagogy certificate Technique, also studing some Release, Laban and M. Feldenkrais inside S. Bucci Company as well as different approaches to the body in the performing arts. He is working through intuition and stratification of improvisation, to set an alive installation of bodies related with philosophical approach to art, audience perception of the event , experimental or pop music and site specific frame. He collaborates with several companies as dancer, mime, even in many Opera Theaters, like with Abbado, Martone, Fura dels Baus, R. Andò etc..He creates his first ‘CONT’ piece inspired by plastic, daily pollution and resistence, through ‘A Man Without Qualities’ by R. Musil. He develops a first version in 2012 , with the music of JD Zazie, in Florence, Poznan, and at the Guggenheim Museum of Bilbao in a duo version with C. Abati, that will travel through Italy and Portugal. ‘DUO’with C. Abati,in 2014/15 is RILABEN second work/collaboration, residency at Vivaio del Malcantone, SPAM Lucca, Limonaia /Company Blu, Spazio K Prato, and première at Ada studio Berlin. BOWO, third ongoing project from 2013/2017, is inspired by Cso group, who invited LABEN to teach in a workshop session at San Sebastiàn, on Deleuze-Guattari, A. Artaud theory, ‘A body without organs’, with live music by JD Zazie. New performance projects in 2017, IN-EXtension from Beckett’s “All strange away”. “SAI, a thing that feels” inspired by M. Perniola ‘The sex appeal of the inorganic’, dance voice bodies live in an audio visual relation with objects and inorganic reality at Uferstudios, Tanzfabrik Berlin with A. Zoe, P. Stodieck, Noir Fidelity records di errikos Stamatakis, A. Cojaniz. Also part of MOR 2017, month of research at Uferstudios and of 'The Cleaners' performing for M. Abramovic.

Lisa Leopold is part of the workshop planning team at Tanzfabrik Berlin. She works in the field of dance and performance as dramaturge and curator in Berlin and Hamburg. She completed her M.A. in Performance Studies and BA in Theater, Film and Media Studies in Hamburg as well as a contemporary dance education in Vienna. From 2015-1017 she worked as a research assistant at the University of Hamburg and has already collaborated in several dance and performance projects. Since 2009, she enthusiastically has been practicing yoga and 2014 decided to do a Hatha Yoga teacher training with the World Yoga Alliance (India). Since then she has taught in Hamburg in a solidary yoga project (Soli Yoga), in Yogasense Berlin and is currently completing an advanced teachers training at Spirit Yoga Berlin.

Yvonne Leppin started dancing at the age of 6 years with Monika Radamm at the Berlin Ballet Academy of Tatjana Gsovsky. As a teenager she dedicated herself with heart and soul to Hip Hop/Streetdance and danced for several years in various performances for the dance school R. Keller Dance School. At the age of 20 she discovered modern and contemporary dance and has since trained with different teachers in Berlin, Potsdam and Paris. She has remained experimental and open to other dance styles and influences (including Latin, Salsa, Jazz, Tap). Yvonne graduated in Dipl. KuWi/M.A. KuMaKuTo at the European University Viadrina, but always remained true to dance and completed the Dance Intensive Training at the Tanzfabrik Berlin. Since 2012 she has been dancing in the intergenerational "Mobile Dance Company" with Jo Parkes and Fiona Edwards. Her second passion besides dancing is theatre, to which she has dedicated herself since her youth in various intercultural projects and workshops. Yvonne teaches for TanzZeit, tanzcompany and within the framework of her own projects.

After graduating from the University of California, Irvine with a Bachelor of Fine Arts in Dance Performance, Shannon Leypoldt trained at the San Francisco Conservatory of Dance under the direction of Summer Lee Rhatigan. Her training includes ballet, modern, gaga, and countertechnique. Shannon has performed with Dorky Park, EYAS Dance Collective, wee dance company, burnsWORK, FACT/SF, Sharp & Fine, and Nine Shards Dance Theater Collective. As member of Wee Dance Company at the Gerhart-Hauptmann-Theater, Görlitz-Zittau she performed choreography by Dan Pelleg & Marko E. Weigert, Shlomi Bitton, Hillel Cogen, and Sommer Ulrickson. Shannon has perform in Taiwan, Israel, Russia, Germany, and the US.

Naomi Mark, born and raised in Israel, has been in the world of dance and movement research from a young age. She participated in several dance schools in Israel and joined in 2013 in the dance intensive program held in Tanzfabrik Berlin. Along with dancing, Naomi entered the world of Yoga in 2005. At that time she worked for Physicians for Human Rights and was involved in a range of political struggles, mainly with prisoners and refugees' rights in Israel. “At that time, working under very stressful conditions, I discovered the practice of Yoga and the practice of cultivating a sense of well-being and health toward my body, towards myself. In different levels, I feel like yoga saved me. After moving to Berlin I have decided to try and give to others what I have gotten and am still getting from the yoga practice.” After ten years of practice Naomi had completed her yoga teacher's training. Today Naomi is teaching in several yoga studios in Berlin among them Yellow Yoga, FreiStil Yoga and Prostage.

Matteo Marziano Graziano is a Berlin-based queer choreographer, whose work exists between the fields of contemporary performance, experimental music theatre and opera. His choreographic practice deals with questions of embodiment in relation to affects and consciousness. This practice leads to moving image making processes and explores the notion of subjectivity within spectatorship. Matteo has been danceWEB scholarship recipient in 2017 and since 2018 he is in-house choreographer at BTT Balletto Teatro di Torino. In 2018 he won the Young Direction Prize at Macerata Opera Festival. His choreographic work has been presented at a.o. PACT Zollverein, Schaubühne Berlin, KOW Gallery, Künstlerhaus Bethanien. He has recently performed for Doris Uhlich, Amanda Piña, Tino Sehgal. www.casamarziano.com

Yuko Matsuyama aka Yuhki Kaoru is a freelance performance artist (vocal,dance, act) with over 20 years of experience performing in Musical, Revue, Dance show, Tanztheater, and Music project. She received her Pilates Mat Certification from Dolly Kelepecz (DK Body Balancing Method) in Tokyo. Teaching Experience: 2008 – 2010 Tokio Disney Resort (company training, Pilates, Ballet, Modern Dance), theater projects in Tokio (daily training for actors, choreography assistant). Since 2010 teaching at Dance Studios in Berlin (Pilates). www.yuhki.de

Giacomo Mattogno is an Italian composer, musician, and producer, in the field of contemporary/electronic music. Trained at the St. Louis Academy in Rome, he moved to Berlin where he founded his project, Junction to Humanity; due to its international characteristics, this project unites different cultures, influences and musical concepts from the US, Germany, and Italy. Giacomo is also the founder of Nordpathrecords: in his works he combines organic and electronic music, building an atmosphere of noises and sounds able to evoke non-linear elements, thus capturing different moods of the listener.

A native Californian, Victoria earned a BFA in Dance from Belhaven University in 2008, and worked in Washington and Oregon. Since 2015, she is based in Germany performing, teaching, and creating collaboratively in Europe. From Berlin, she has worked with composers Katya Sourikova and Adriano Fontana, with musicians Joshua Tennent and Livia Rita. As a dancer, Victoria has performed for Joachim Schlömer, Tanz Company Gervasi, Sara Angius, the Staatsoper Unter den Linden and others. She also performs for camera and in comedy. In Seattle from 2009-2015 she danced for many artists including Catapult Dance, Ilvs Strauss, Alana O Rogers Dance Company, and Coriolis Dance Collective. Curating through ada Studio in Berlin, since 2018 she creates events for the series “NAH DRAN extended". While in Seattle, she co-produced dance events through the nonprofit Abbey Arts in 2013 and 2014.

Ixchel Mendoza Hernández is a Mexican choreographer and performer based in Berlin. She completed her choreography and dance studies at Artez Arnheim in 2007. From 2012 until 2015 she had been engaged in the MA Solo, Dance, Authorship (SoDA) at Hochschulübergreifendes Zentrum Tanz (HZT) in Berlin. During that period she made explorations to provoke the audience to experience a certain kind of "images" which are not present in vision, nevertheless still present – a phenomena she called "Visual Ghost. Her last two works "THE TWOFOLD PARADOX" and "The Reversed Alchemist: Figure 1-3" had premiered in the frame of Open Spaces. As performer she worked together with Kat Válastur, s-h-i-f-t-s, Susanne Kennedy, Clement Layes, Laurie Young, Elpida Orfanidou, among others.

Gisela Müller studied dance in Paris, Amsterdam (SNDO) and New York. She was a member of several dance companies before founding, in 1992, The Move Company for which she choreographed numerous pieces. She was granted scholarships for artistic work both in Germany and abroad. Since 1988 she is teaching regularly in various institutions and studios. Since 2004 she is member of the board of Tanzfabrik Berlin and responsible for the artistic and educational programme of Berlin’s Tanzfabrik School and the director of the Dance Intensive programme. From 2006 until 2010, Gisela Müller was visiting professor at the Inter-University Dance Department / HZT in Berlin (Hochschulübergreifendes Zentrum Tanz) where she invented and co-directed the BA course in Contemporary Dance, Context, Choreography. Beside she is a member of the decision making board of the east European network for performing art Nomad Dance Academy since 2012.

Katja Mustonen (FIN/GER) is a Finnish dance maker and teacher, currently based in Berlin, working as a nomad. She graduated as dancer in Finland 2004, and holds a MA degree in "Contemporary Dance Education"(MA CoDE, HfMDK,Frankfurt 2010). Since 2008, she’s been teaching Contemporary Dance, Improvisation and Contact Improvisation internationally in institutions, festivals and other venues for dance. In her artistic work, she is curious about the states of presence and body’s ability to transform, embody, and transmit images into knowledge, emotions, language and atmosphere’s. Also, merging photography, video, sound and text together with materials or objects continues fascinating her in terms of finding more ways to express ideas and execute movement, creating the larger body of her artistic work.

Kokomini is a dancer, dance teacher and choreographer for contemporary and oriental dance. She studied at the ZZT of the HfMT Cologne and in Iceland at the Lhi. In recent years she has spent long periods in Central America, where she has worked in social projects and for independent artistic institutions, festivals, as well as for theatre, dance and circus groups, and collaborated with independent artists. At the same time she developed her own projects in Berlin and was active in the independent scene. In 2016 she was engaged as a dancer with the Compania Nacional de Danza de El Salvador in Central America. She also gave contemporary dance lessons for the company and created her own works. Since the beginning of 2017, she has been working as a freelance dancer and dance teacher in Berlin again and is studying theatre pedagogy at the UdK Berlin.

Anna Katalin born 1987 in Hungary started her dance education for three years with the Budapest Dance Theater company under the guidance of Razza Hammadi, Bela Földi and Joseph Tmim. After finishing her Bachelor in Modern Dance at the Hungarian University of Dance, she continued her education at SEAD, Salzburg Experimental Academy of Dance, where she has worked with choreographers such as Milla Koinstinnen, Roberto Olivan, Victoria P. Miranda and Bostjan Antoncic. After graduating from SEAD, she moved to Berlin and became an active member of the NGO Dancers without Borders, working in various art projects with strong social-political and educational engagement. These experiences made her realise her own artistic potential and responsibilities. She brought her focus to offering access to the basic human rights of health and happiness through movement, to empower human connections, to resist all forms of oppression, to create space for integration and the discussion of the philosophical questions of freedom through dance and art. She has worked with various artists whose work aligns with the above mentioned ideologies, such as Be van Vark, Constanza Macras, Sven Seeger, Nevin Aladag and Ricardo de Paula. Since 2018, after graduating from the University of Arts, Berlin with a Masters in Choreography, Anna has continued to collaborate with artists sharing similar interests, both nationally and internationally.

Natascha Noack investigates the intersections of movement, music, language and film. She studied dance and movement in Berlin, Bielefeld (dansart) and Paris before deepening her knowledge of the traditional art forms in Guinee, Mali, Senegal and Burkina Faso. She found particular inspiration in the work of Koffi Koko, Désiré Somé and Elsa Wolliaston for whom she worked as an assistant at the ‘Theatertreffen Berlin’ and in an educational project in France. She teaches Contemporary African Dance throughout Europe, collaborates in the creation of stage performances with artists of different backgrounds, translates dance and film theory and is a member of the selection commission of Generation, a section of the International Film Festival Berlin.

Anna Nowicka is a dance maker and a Saphire® practitioner, weaving her artistic research out of imagery work, dreaming principles, and attentive embodiment. She is expanding this kaleidoscopic approach during her PhD studies at the Polish Film School in Łódź. Anna’s work has been recognized with the DAAD Prize, Studienstiftung des Deutschen Volkes, and Tanzstipendium from the city of Berlin. This is only possible through the continuous production support from the Art Stations Foundation in Poznań. Anna taught a.o. for Meg Stuart, at Tanzfabrik, SMASH Berlin, HZT Berlin and at the Alternative Academy of Dance in the Art Stations Foundation in Poznań.  www.annanowicka.com

Jenny Ocampo is a choreographer, dancer, dance teacher and mentor based in Berlin. She was born in Colombia and moved to Germany, where she received her dance degree from the Folkwang University of the Arts in Essen. She is currently completing Dance Science at the Freie Universität in Berlin (M.A.). She worked for several years as a solo dancer for the Dance Theatre Company at Theater Münster and was chosen by Pina Bausch to dance Le Sacre du Printemps and Tannhäuser. Since 2009 she has been working as a freelance dancer and, in addition to her work with Hidden Tracks, is realizing her own projects in collaboration with other artists* and theatres of the independent scene in Germany and South America. The works Mirage (2016), Damp Sheets (2017), The Canvas (2017) and S (2018), which premiered in Berlin, are among them. She understands choreography as a natural process in which everything takes its own and natural development, which is a kind of instability and unfolding of the extraordinary character of human actions and emotions. Her method, based on improvisation, links the perception of the inner and outer world to dance and performance. www.jennieocampo.com

Enrico Paglialunga is a Berlin based freelance dancer, teacher and choreographer. He had his dance education between Rome and New York, he worked and collaborate with Enzo Celli (IT), Marko Weigert & Dan Pelleg (DE), Brice Mousset(USA), Eun Hwa Nary Shin (USA), Sonia Rodriguez (DE) and Sommer Ulrikson (DE), Theater Strahl Berlin, DeDanser (NL) and the theater director/choreographer Helena Waldmann. Before entering the freelance scene he worked for “Wee Dance Company” at the Gerhart-Hauptmann-Theater in Görlitz. As Choreographer, he created the piece “A New Beginning” for 6 dancers for the production “Kurzstrecke” | Wee dance company (DE) and "A step towards", a solo that recently won the 1st Prize at the Choreographic Competition Nowa Huta Kultury Center of Krakòw. In March 2017 Enrico has been invited as Guest Choreographer at the National Dance Company of Rome, to create the dance piece “Pantarei” for the students of the contemporary department. Enrico has been invited to teach his training at Tanzfabrik & Dock 11 Berlin, TanzKompanie des Landesbühnen Sachsen- Carlos Matos, WeeDance company Gh-Theater, Profitraining Leipzig LOFFT Theater and more… Currently he is attending a Bachelor in DanceMovement Therapy at Arte.do/University of Salento(IT).

Satu Palokangas (FIN) has worked in the field of movement improvisation and somatic methods since 1994. Certified Teacher and Practitioner of Body-Mind Centering®, Dynamic Embodiment Practitioner and Certified Laban/Bartenieff Movement Analyst, Satu first studied contemporary dance in UK and Netherlands, before moving into the US to deepen her understanding of somatic methods. She holds an MfA in Live Art & Performance Studies and currently leads her own trainings in somatic movement therapy, ecosomatics and embodied developmental anatomy and movement, and works as a visiting lecturer at the Theatre Academy of Helsinki, Dance-Movement Therapy Training in Finland and within various BMC® and LMA/BF certification trainings internationally.

Sasa Queliz is a Berlin-based dancer, choreographer, teacher, and awareness bodywork healer, born in Santo Domingo (Dominican Republic). She was a member of the Ballet Clásico Nacional and the Venezuelan dance companies Danzahoy and Neodanza (Caracas). She worked together with Labor GRAS and Angela Guerreiro developing choreographies at Tanzfabrik and Kampnagel Hamburg. Since 2000 she is a member of Sasha Waltz & Guests. Her dance trajectory includes collaborations with Sara Gebran, Angela Guerreiro, Rui Horta, Jan Pusch, Benoit Lachambre, Wim Vandekeybus, William Forsythe, Julyen Hamilton among others. Choreographically and pedagogically, Ms. Queliz was also involved in the dance project “MusicTANZ - Carmen” (Education project of the Berliner Philharmoniker) working with over 100 pupils. Together with Mata Sakka she created the duet "Interpretations" performed in Berlin and improvises dances regularly in Berlin through "Freistill" in Tanzfabrik Berlin and at other venues. Dance classes and workshops were given at Danzahoy (Caracas), Labor GRAS, Kampanagel, Tanzfabrik and Contemporary Dance Schule -CDSH (Hamburg), National School of Dance (Santo Domingo), Historical Project in LABAN (London), Sasha Waltz & Guests and Toula Limnaios (Berlin).

Dario Rigaglia studied dance in Giarre (Sicily, Italy). This included different dance styles such as classical ballet, modern dance, contemporary dance, Latin dance and hip hop. After he completed his high school studies, Dario decided to continue his dance journey in Rome at the DAF (Dance Arts Faculty), followed by a traineeship at the Agorà coaching Project in Reggio Emilia. Dario danced in several unique projects, including: Kitonb Project, Vibrazioni Dance Company, HI-dance-Robert Wechsler (improvisation with sound scape), Re project with 3D video mapping-artist director & choreographer Sanja Ristic (Animalize.Me Productions) Co-Choreography: Jorge Garcia Perez (Company Carta Blanca Dance), in the corps de ballets for some operas such as AIDA (Teatro Greco Siracusa) PAGLIACCI Teatro Greco Taormina, INcompany Emanuele Soavi, and from 2016 on with Les Ballets C de la B as a dancer in “Nicht Schlafen” by Alain Platel. In January 2017 he received the award for “the best Italian dancer abroad” from “Danza & Danza”.

Antonin Rioche (France, 1994) has previously worked with Sacha Waltz, Roy Assaf, Theo Clinkard, Olivier Dubois, Marina Mascarell and at Korzo with Ryan Djojokarso. Rioche also had a desire to develop further in dance. At the invitation of Sidi Larbi Cherkaoui he takes his first steps as a choreographer with the production Oh Boy! who tours internationally with performances in Antwerp, Berlin, Paris, Geneva and The Hague.

Roni Rotem was born in Israel. Graduating from Dror High School of the Arts, Roni continued her dance training at Danceworkshop Gaaton, working with Israeli choreographers: Ohad Naharin, Rami Beer & Idan Sharabi among others. Upon completing her studies, Roni joined the Jerusalem Dance Theater dance company. Roni earned her BA in Education and Dance from the Kibbutzim College, While danced as a member of the Shlomi Bitton Dance Group. As a choreographer, Roni created the duet "Half" which selected to Suzanne Dellal Center’s Shades of Dance Choreography Competition and International Exposure 2016. "Half" went on to win 1st prize in the 2016 I Believe Dance Competition in Israel. The work toured Spain, performing at the Agitart Festival in Figueres and festivals around Israel. In 2018, she created the trio "Men To Be", which premiered as part of the Blender Series at Bascula and went on to be presented in the Tel Aviv Dance Festival, International Exposure, 10 Sentidos dance Festival in Valencia, Spain (May 2019) and more. Roni's 3rd work, “Candyland" was created in a residency at Lake Studios Berlin In October 2018. Candyland's Israeli premiere at Suzanne Dellal center and continued to tour in Israel and Europe. Roni will premiere her new work "Virtual Humans" at Paul Studios Berlin in November 2019, following a month-long residency. As a dance teacher, she is holding contemporary classes and masterclasses in Tel Aviv, Kibbutz contemporary dance company summer intensive, and the several studios in Berlin.

The Berlin-based director, choreographer, teacher, improviser, Judith Sánchez Ruíz (CU- GE), was based in New York since 1999 and relocated to Berlin in 2011. She began her dance studies at the age of 11 at the National School of Arts. Ciudad de la Habana. Cuba. She has worked with Sasha Waltz & Guest, (2011-2014); Deborah Hay, (2012); Trisha Brown Dance Company, (2006-2009); DD Dorvillier, (2002, 2019); David Zambrano, (1997), Mal Pelo Company, (1997-1999); and DanzAbierta Company, (1991-1996). She established the JSR Company in NYC in 2010. She’s created numerous choreographic stage works and Site Specific and has initiated several improvisation projects involving live music with innovative composers and visual artist. Ms. Sanchez Ruiz has been a teacher and choreographer at major institutions of higher education in dance throughout Europe, US, Latin America and Asia.

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Ka Rustler creates, performs and shares her research and teachings in an international circuit. As a pioneer in the field of improvisation and dance she has been a collective member of Tanzfabrik Berlin, co-author of multi - layered productions and performs with numerous artists framing social contexts theoretically situated within feminist understandings of embodied subjectivity. She is a Body-Mind Centering® Practitioner & Teacher including somatic psychotherapy, applications and methods derived from other somatic systems and their relevance in movement & artistic research, choreographic exploration and embodiment.

Born and raised in Switzerland, Tanja Saban graduated from SEAD training program in 2007. She is a recipient of the conveyor scholarship from the Tanzquartier in Vienna, where she started her career as a freelance dancer and teacher. She collaborates with choreographers and artists of other disciplines on projects as well as creating her own work in Austria, Spain,Switzerland, Israel and New York City. After taking her first Gaga classes in 2011 in New York, she moved to Tel Aviv one year later where Gaga became part of her daily practice. In 2018 she got certified to teach Gaga after completing the teachers course under the artistic direction of Bosmat Nossan. She has since taught Gaga in studios and for dance companies as well as co-taught workshops in Europe. In 2008, besides dancing, she began to immerse herself more deeply into the practice and study of yoga with her teacher Sri Louise, under whose guidance she completed 400 hours of training in Vienna and Rishikesh, India. She was invited to assist Sri Louise in workshops and a 50 hour yoga teacher training for dancers at Impulstanz Festival in 2011, 2013 and 2018.

Geraldo Si began his dance career in 1981 with Pantanaliadança, Brazil, after having been taking dance classes for three years. In São Paulo, he worked as dancer and actor with Antonio Abujamra, Geraldo Thomas, Penha de Souza, theTeatro Brasileiro de Dança, Marzipan Dance Cia amongst others as well as participated in a number of T.V. Series. In 1990 Geraldo came to Germany to join the Wuppertaler Tanztheater led by Pina Bausch, where he danced as a soloist for four years. Subsequently he collaborated with Raimund Hoghe (“Geraldos solo” in 1996 and “Tanzgeschichten” in 2003), Stephanie Thiersch, Healing Theatre Köln, Rodolpho Leoni Dance, Vera Sander Art Connect and Cocoondance. In 1996 Geraldo founded x.x.y. theater in Wuppertal for which he directed several productions. From 2003 till 2010 he had been the artistic director of Sommertanz Junge Talente, a dance theatre project for the youth, that was a pilotscheme from the Kunststiftung NRW. Inspired by the collaboration with Suprapto Suryodarmo, for the past twelve years Geraldo Si has focused most of his work on improvisation and the concept of “growing through movement”. In 2002 he initiated an ongoing series of events „SichtLaut“. On these performance evening dancers, actors and musicians experiment within the borders of improvisation.

Mélanie Sorin was born in Lisbon and is both Portuguese and French. Passionate about movement, she is a freelance dancer and teacher based in Berlin. She studied contemporary dance in Lisbon and London, received her BA and post-graduate diploma and has been working with choreographers with distinct movement approaches and improvisation. Mélanie was introduced to the Gaga movement language in 2010. She travelled to Tel Aviv, Israel, where she trained and became a qualified teacher of Gaga in 2012.

Marion is originally from South Tyrol, Italy and has completed her dance training at Iwanson and Varium. For more than fiftheen years she has been working internationally as a dance teacher, choreographer and dancer. After her training, Marion danced for the following choreographers: Francisco Córdova, ADN-Dialect, Stella Zannou and Sonia Rodriguez. For the past five years Marion has been promoted as a choreographer by the Office of Culture South Tyrol for her work and produced by IDEA- Tanz Theater Performance. Her pieces are performed at numerous international festivals and in theatres.

Peter Stamer is not a physicist. He is also not a bank clerk. And he sometimes is far from being an all too serious man, this despite having been trained as a theatre scholar, and having been employed as a dramaturg at a German state theatre and as a curator for theory at Tanzquartier Vienna in the 90s and aughts. For more than 15 years now Peter Stamer has been working as a free-lance art and theatre maker in the international context of contemporary performing arts. Along his stage work, he “explores conditions for discursive and physical empowerment within given social and narrative apparatuses“. In other words: together with other people he likes creating performative playgrounds in order to engage in and learn from the games of everyday behaviour. And these playgrounds need collaboration both with other players and the society we play in; those playgrounds make collaboration the ingredient without which nothing would be possible. Not only need artists to be poets of making together. They also need to be joint story-tellers in order to reshape the world ensemble, in order to create narratives of a different world, in order to summon creative forces that open up to the circus of life. No wonder Peter wishes he had been brought up as the child of a family of knife throwers. Thus he could have lived in a travelling circus among fellow artist families of animal trainers, acrobats, and jugglers who work together to get the shows going. He knows that he is over-romanticizing. But he likes the idea. Very much so. peterstamer.com

Sarah Stanley is a dance artist born and raised in Houston, TX. She received her dance training at the High School for Performing and Visual Arts (Houston), SUNY Purchase and Taipei National University of the Arts. Sarah was based in New York for many years where she worked with Gallim Dance, Dance Heginbotham and Punchdrunk's Sleep No More, among others. Sarah has been teaching and making her own work for the past several years in the US, Germany, Sweden, Indonesia, Laos and the Philippines. She is currently working as a freelance dancer, teacher and choreographer based in Berlin.

Hilla Steinert moves at the interface between dance and performance. She started dancing in 1978. In 1981, she meets Deborah Hay`s work in Austin, USA, which has a lasting impact on her own process. After training as a movement and dance teacher she turns to performance in 1986 and begins to develop her method of Free Dance, in which all her own experience of dancing, teaching and choreographing is incorporated. From 1999 - 2004 she completed a training as a dance therapist at the Frankfurt Institute for Dance Therapy. She is particularly interested in the basis of dance-based creativity, to develop clarity through expression through simplicity and authenticity, which is the prerequisite for any exciting performance.

With a background in ballet and environmental sciences, Jolika Sudermann (Berlin) studied dance theatre in Hamburg and MIME in Amsterdam (AHK). In her work she explores the least common denominators of human life, diving into phenomenons like pulse, baby movement or spoken language. Her prizewinning duet „A Talk“ (2011, with A.Söderberg) has excessively traveled Europe and was shown in NYC in 2014. Like her most recent piece, „Infanten“ (Stuttgarter Tanz- und Theaterpreis 2015, to be seen at Sophiensaele in March 2016), „Pulse“ is based on an improvisation score and on close, transparent contact between performer and spectator. jolika.theaterblogs.de

Harumi Terayama was born in Osaka, Japan. Currently, she lives in Berlin as a freelance artist. A passion for dance guided her childhood and brought her to the US in 2000. After graduating from Walnut Hill School and The Juilliard School, she danced with many choreographers as a freelance artist and as a member of Cedar Lake Contemporary Ballet in New York City. In 2012, she joined GöteborgsOperans Danskompani in Sweden. She moved her base to Berlin, Germany in 2014. Parallel to her dance career, video editing became another creative outlet. Her first dance film “Replaced Vision” (Premiered in 2013, Sweden) was selected for various international film festivals. She has collaborated with choreographers and dancers to create videos for visual installations, promotional videos, and documentation. She is also a certified Gyrotonic and Gyrokinesis trainer.

Diana Thielen is a dance artist / performer / blogger (movementactivism.com) and teacher. She teaches Axis Syllabus, as well as practices in dance, performance, body politics and yoga. Diana graduated at SEAD / Salzburg (2004-2008) and is currently a student of Gender Studies / Educational Studies (BA) in Berlin. Her work includes interdisciplinary perspectives that relate to her interest in queer theory, intersectional feminism, and postcolonial studies, as well as pondering and exploring private realities as a queer woman. ​As a teacher, she sees my strength in my genuine wish to support each individual’s journey. Their experiences, as well as their curiosities, doubts, vulnerabilities and lust to move and study are invited, to create a safe learning atmosphere. http://www.movementactivism.com

After his Ballet School (Royal Academy of Dance, Oxford; London Contemporary Dance School; scholarship for the English National Ballet School) Matthew followed the English National Ballet - Company, until he worked for Dance Berlin, David Nixon, Susan Quin and Deutschen Oper. Finally he joined the Scapino Ballet.

Matthew has got the authority to teach looseness and musicality beside his taut and concentrated training.. He´s using a combination of classical and modern music for teaching classical technique. He teaches solid technique for all levels.

Ildikó studied dance in education at Rotterdam Dance Academy in the Netherlands. After graduating with a B.A., a scholarship of the German Academic Exchange Service led her to New York City in 2005. She’s worked with Bill Young/Colleen Thomas & Company, Susan Marshall & Company as well as Kota Yamazaki among others. From 2012 - 2015 she was a member of the Forsythe Company. Since fall 2015, she is a freelancer dancer and dance teacher, involved in projects with Thierry de Mey at Charleroi Danses in Brussels, Fabrice Mazliah (Frankfurt), Sebastian Matthias (Berlin) as well as Irina Pauls in Leipzig. She has taught at Tanzlabor 21 (Frankfurt), La Raffinerie (Brussels), K3 in Hamburg, Palucca Schule Dresden, the Hungarian Ballet Academy (Budapest) among others.  www.ildiko-toth.com

Alessio Trevisani, Germanist, Choreographer, Director, Performer. Recently founded his international company: the Freies Tanz Ensemble. Former member of Tanzfabrik Company, co-initiated in 2000 the Sox36 in Berlin Kreuzberg. 2003 won the German dance prize for best solo. He gained important artistic experience with the composer K. Stockhausen at Leipzig Opera and working in NY in 2005. 2007 was resident choreographer at Palucca Schule/ Tanzplan Dresden. 2006-10 created 4 works for the mixed able Theater Thikwa. 2011-18 created 8 successful works directing Leipziger Tanztheater.

Robert John van den Dolder is a dancer, performer, choreographer and teacher, currently living in Berlin. He studied at the Dance Academy Brabant in Tilburg, Holland and took private classes with Mr. Felix White (former teacher with Alvin Ailey American Dance Theater) in Modern Jazz and the Katherine Dunham Technique, and with Norio Mamiya (former dancer with Béjart and Scapino). Worked amongst ohters with Pina Bausch / Tanztheater Wuppertal (Wuppertal, Germany), Folkwang Tanzstudio (Essen-Werden, Germany), Steptext Dance Company (Bremen, Germany), Onafhankelijk Toneel Rotterdam (Rotterdam, Netherlands), De Rotterdamse Dansgroep (Rotterdam, Netherlands), Cosmic Illusion Productions (A´dam, Netherlands) and Black Vibration Dance Theatre (A´dam, Netherlands).

Iftach Vardi is a movement artist who's profound background in martial arts and his recent years research and experimentation within contemporary dance have allowed him to create a unique platform of integration between the disciplines. In recent years his research and experimentation within contemporary dance, dance acrobatics and performance art has allowed him to create his own unique style as well as to create his own training platform D_e_c_o_d_i_n_g_ _M_o_t_i_o_n__™ for integration and interfacing between the disciplines. He has trained, studied and collaborated for long and short periods of time with many masters, teachers and artists around the world. In 2016 Iftach founded Decoding Motion - a movement research and development project that explores, researches and presents ideas, concepts and principles to allow movers from multiple disciplines to grow and expand in their own fields and movement abilities and trainings. Since then he has been teaching Decoding Motion movement research and development seminars, workshops and professional training around the world among the places that Decoding Motion was thought in are New York, Philladelphia, San Francisco, Berlin, Zurich, London, Amsterdam, Thailand and many other locations world wide. www.decodingmotion.com

By experimenting with aleatoric, improvisational, and indeterminate processes, Andrew Wass formalizes the coincidental and emphasizes the conscious processes of composition that are the generative source of much of his works. Influenced heavily by his undergraduate studies of Biochemistry at U.C. San Diego, Andrew works by creating a defined, almost crystalline palette in order to generate a myriad of possibilities. His initial exposure to improvisation was through the Lower Left Performance Collective’s summer workshops in San Diego in 1998. Since then he has performed and taught at festivals, theaters, and studios throughout the United States, Europe, and Japan. A graduate of the MA SoDA program of the HZT, he is currently pursuing an MPhil/PhD through the University of Chichester.  lowerleft.org   wasswasswass.com

Nina Wehnert is a dancer (SEAD, bewegungs-art) and teaches Body-Mind Centering, Contact Improvisation, Embodied Anatomy and Yoga in daily classes, workshops and festivals around the world. She is certified as Somatic Movement Educator, Practitioner and Teacher of Body-Mind Centering® and has assisted Bonnie Bainbridge Cohen several times. She teaches at the european licensed certification training programs of BMC® and is part of the regular teaching team of moveus, the german certification training program. She is also offering her own training programs in Berlin and Bavaria, as well as private sessions. www.ninawehnert.com

Anna Weißenfels creates performances, sound art and multimedia artworks. Studies for dance and choreography (ARTEZ Arnhem, BA 2007), recently for alternative medicine (2015-17). Musical education in piano, voice and choral work as well as advanced training for voice anthropology (UDK Berlin, 2011). Her practice is dealing with different modes of connectivity and collaboration through of self-organization. Her work is translating life experience into representative elements, creating surprising analogies. She teaches principles for the connection of voice and movement, improvisation, partnering and release technique. So far she has been teaching in Berlin at UDK, Tanzfabrik, Tatwerk, Kunstquartier Bethanien, Somatische Akademie and at Exploratorium.  www.annweissenfels.org

Idan Yoav was trained at Patricia Needleman Dance Studio in Jerusalem, graduated from the Academy High School for Music and Dance in Jerusalem and studied Multidisciplinary Arts at the Tel-Aviv University. Reworded as an Outstanding Dancer by the Israeli Ministry of Culture, amongst 2nd prize at the Mia Arbatova Ballet Competition, Scholarships from the America-Israel Cultural Foundation for excellence in dance and was a member of DanceWeb program at the Impulstanz Dance Festival in Vienna, Austria. Danced at the Batsheva Ensamble, Inbal Pinto & Avshalom Polak Dance Company, Norrdans, Gallim Dance, Zuhkov Dance Theatre, De De Dance and as a freelance dancer with Sasha Waltz & Guests and the choreographer Sebastian Mattias. A guest teacher at Tanzfabrik Berlin, Chung-Ang University Seoul and Korea National University of Arts Seoul. Since 2009 has been choreographing and presented in several festivals.

Stella Zannou was born in Athens and has studied dance in London College of Dance, London Studio Centre, The American College of Greece and the Greek State School of Dance. She formed “Smack Dance Company” in Greece and currently is living in Berlin, working as a freelancer dancer, teacher and choreographer. As a choreographer she has created /presented work, among other places, for Vienna Opera house, Staatstheater Kassel, S.E.A.D. – “Bodji project”, “One small step festival”, Dock 11, Athens International Festival, Gnarl Festival, No ballet fest., Santorini Arts Festival, American College of Greece Arts Festival, etc. As a dancer she has worked amongst others with Johannes Wieland, Walter Bickmann, Maya Caroll-Lipsker, Clint Lutes, Xaris Mandafounis, Athina Vahla, Haris Andahopoulou, Yannis Antoniou, Ioanna Parali, etc. She is teaching dance in places such as Staatstheater Braunschweig/Kassel, S.E.A.D., cie Toula Limnaios, B12, Nachschub, Iwanson International Dance School, Zentrum für Zeitgenössischen Tanz - Köln, Proda – Oslo, Marameo, Tanzfabrik Berlin, Hollins University, American College of Greece, etc.

Sigal Zouk born in Israel. She studied dance in Emek Yizreeldance school. and was a member of the ‘Batsheva` ensemble (Artistic directors: Ohad Naharin, Naomi Perlov). 1997 she moved to Berlin and worked with Helge Musial, Joseph Timm, Luc Dunbery. 1999-2004 Sigal joined ‘Sasha Walts & guests‘. 2005-2008 she worked with Meg Stuart in ‘replacement‘, ‘maybe forever‘ (choreogaphic asistent), ‘all together now‘. Since 2007 she is working with theater director Laurent Chetouane and currently rehearsing in their sixth collaboration ‘publikumsbeschimpfung’.